
Book, Text, Medium
Cross-Sectional Reading for a Digital Age
Series: Cambridge Studies in Twenty-First-Century Literature and Culture;
- Publisher's listprice GBP 79.99
-
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 4 048 Ft off)
- Discounted price 36 434 Ft (34 700 Ft + 5% VAT)
40 482 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Cambridge University Press
- Date of Publication 28 January 2021
- ISBN 9781108834599
- Binding Hardback
- No. of pages280 pages
- Size 236x158x22 mm
- Weight 540 g
- Language English 183
Categories
Short description:
This study cuts across book arts and literary stylistics in a revisionary theory of language as medium in textual action.
MoreLong description:
Book, Text, Medium: Cross Sectional Reading for a Digital Age utilizes codex history, close reading, and language philosophy to assess the transformative arc between medieval books and today's e-books. It examines what happens to the reading experience in the twenty-first century when the original concept of a book is still held in the mind of a reader, if no longer in the reader's hand. Leading critic Garrett Stewart explores the play of mediation more generally, as the concept of book moves from a manufactured object to simply the language it puts into circulation. Framed by digital poetics, phonorobotics, and the rising popularity of audiobooks, this study sheds new light on both the history of reading and the negation of legible print in conceptual book art.
'Garrett Stewart has produced a richly inclusive, nimbly attentive, celebration of the many dimensions in which reading is played out, across and between its different media and instruments, ear, eye and hand. It brilliantly diagnoses in the present conditions of reading, not a demise but an ongoing reprise of the many historical incarnations of 'bookhood'.' Steven Connor, University of Cambridge
Table of Contents:
Prospectus; Intro\Retro; Part I. The Hold of the Codex: 1. Bibliographics; 2. Platformatics; Part II. The Grip of Inscription: 3. Reading In; 4. Reading Out; Part III. The Give of Medium: 5. Phrasing the Sayable; 6. Between Language and Text; Parting Words.
More