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  • Art and Copyright Law: An Interdisciplinary Study on Interpictoriality

    Art and Copyright Law by Walter, Giulia;

    An Interdisciplinary Study on Interpictoriality

    Series: Intellectual Property, Theory, Culture;

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      • Publisher's listprice GBP 145.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        73 384 Ft (69 890 Ft + 5% VAT)
      • Discount 20% (cc. 14 677 Ft off)
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    73 384 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 8 May 2025

    • ISBN 9781032974484
    • Binding Hardback
    • No. of pages264 pages
    • Size 234x156 mm
    • Weight 650 g
    • Language English
    • 803

    Categories

    Short description:

    This book tackles the lack of synchronicity between art and copyright law, proposing practical and interdisciplinary tools through which to navigate this conflict. It will be of interest to researchers in the field of art and copyright law, intellectual property and art.

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    Long description:

    This book tackles the lack of synchronicity between art and copyright law, proposing practical and interdisciplinary tools through which to navigate this conflict.


    In the last decades, high profile lawsuits have been filed against artists accused of plagiarism including Jeff Koons, Barbara Kruger and Andy Warhol. This book demonstrates how these cases are at odds with contemporary artistic reality, in which the use of antecedent visual forms is common practice. Focusing on the dichotomies of ?original/copy? and of ?old/new?, this work addresses this phenomenon from both theoretical and legal perspectives. Using Swiss copyright law as the main case study, the book comparatively assesses other international legal frameworks. Through understanding the origins of the conflict between art and copyright, the book highlights solutions to handle copyright cases with a new methodological approach.


    The book will be of interest to researchers in the field of art and copyright law, intellectual property and art.


    The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.

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    Table of Contents:

    Introduction


     


    Part I: The Interpictorial Original Copy


    1. An Art Historical Novum


     


    Part II: The Work, or ?The Original?


    2. The Fundamentals of the Work


    3. Three Axes of Copyright Protection


     


    4. The Work?s Scope of Protection


    Part III: Copyright Spaces for Interpictoriality


    5. The Exceptions to Copyright in Comparative Perspective


    6. On The Relation Between Art and Copyright Law


     


    Part IV: Displacing The Paradox


    7. Beyond Copyright Law ? External Remedies


     


    Part V: Back To Copyright Law


    8. Towards A Cognitively Open Copyright Law


     


    Conclusions     


     

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