- Publisher's listprice GBP 90.00
-
42 997 Ft (40 950 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 4 300 Ft off)
- Discounted price 38 698 Ft (36 855 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
42 997 Ft
Availability
Only to order.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP USA
- Date of Publication 22 April 2020
- ISBN 9780190096342
- Binding Hardback
- No. of pages276 pages
- Size 155x236x25 mm
- Weight 499 g
- Language English 56
Categories
Short description:
Apt Imaginings addresses the question of how our emotions and desires for the contents of fictions, fantasies, and other products of the imagination relate to the feelings we have about things in the real world. A contribution to the theory of the emotions, the philosophy of fiction, and the psychology of art, this book argues that the normative criteria that determine the fit, morality, or rationality of our feelings for what we believe are distinct from those criteria that apply to what we imagine.
MoreLong description:
How do our engagements with fictions and other products of the imagination compare to our experiences of the real world? Are the feelings we have about a novel's characters modelled on our thoughts about actual people? If it is wrong to feel pleasure over certain situations in real life, can it nonetheless be right to take pleasure in analogous scenarios represented in a fantasy or film? Should the desires we have for what goes on in a make-believe story cohere with what we want to happen in the actual world? Such queries have animated philosophical and psychological theorizing about art and life from Plato's Republic and Aristotle's Poetics to contemporary debates over freedom of expression, ethics and aesthetics, the cognitive value of thought experiments, and the effects on audiences of exposure to violent entertainment.
In Apt Imaginings, Jonathan Gilmore develops a new framework to pursue these questions, marshalling a wide range of research in aesthetics, the science of the emotions, moral philosophy, neuroscience, cognitive psychology, and film and literary theory. Gilmore argues that, while there is a substantial empirical continuity in our feelings across art and life, the norms that govern the appropriateness of those responses across the divide are discontinuous. In this view, the evaluative criteria that determine the fit, correctness, or rationality of our emotions and desires for what is internal to a fiction can be contrary to those that govern our affective attitudes toward analogous things in the real world. In short, it can be right to embrace within a story what one would condemn in real life. The theory Gilmore defends in this volume helps to explain our complex and sometimes conflicted attitudes toward works of the imagination; challenges the popular view that fictions serve to refine our moral sensibilities; and exposes a kind of autonomy of the imagination that can render our responses to art immune to standard real-world epistemic, practical, and affective kinds of criticism.
A fascinating and invigorating book that shows the bonds between philosophy, psychology and cognitive sciences at their best... Not only does Gilmore's book reveal much about our everyday cognitive and emotional processes, thus enabling us to better understand our reactions toward non- fictional entities, it has the capacity to address some of the most pressing questions regarding the cultural, educational, and ethical relevance of art and art-engagements
Table of Contents:
Acknowledgements
Chapter One: Introduction
Chapter Two: The Cognitive Imagination and Literary Fiction
Chapter Three: Evaluative Emotions
Chapter Four: Apt Emotions and Normative Continuity
Chapter Five: Defending Discontinuity
Chapter Six: Epistemology of Fiction and Rational Imagining
Chapter Seven: Tragedy and Desire
Chapter Eight: Discrepant Affects
Chapter Nine: Artistic Functions
Index
Bibliography
