African Cinema – Manifesto and Practice for Volume 3: the Documentary Record–Declarations, Record – Declarations, Resolutions, Manifestos, S
Volume 3: the Documentary Record—Declarations, Resolutions, Manifestos, Speeches
Series: Studies in the Cinema of the Black Diaspora;
- Publisher's listprice GBP 64.00
-
30 576 Ft (29 120 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 3 058 Ft off)
- Discounted price 27 518 Ft (26 208 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
30 576 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher MH – Indiana University Press
- Date of Publication 11 October 2023
- ISBN 9780253066282
- Binding Hardback
- See also 9780253066299
- No. of pages692 pages
- Size 233x153x41 mm
- Weight 1080 g
- Language English
- Illustrations 10 color photos, 17 b&w photos, 2 figures 453
Categories
Long description:
Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film.
Volume Three of this landmark series on African cinema spans the past century and is devoted to the documentation of decoloniality in cultural policy in both Africa and the Black diaspora worldwide. A compendium of formal resolutions, declarations, manifestos, and programmatic statements, it chronologically maps the long history and trajectories of cultural policy in Africa and the Black Atlantic. Beginning with the 1920 declaration of the Rights of the Negro Peoples of the World, which anticipates cinema as we know it today, and the formal oppositional assertions—aspirational and practical. The first part of this work references formal statements that pertain directly to cultural policy and cinematic formations in Africa, while the next part addresses the Black diaspora. Each entry is chronologically ordered to account for when the statement was created, followed by where and in what context it was enunciated.
