African American Performance and Theater History
A Critical Reader
- Publisher's listprice GBP 48.49
-
23 166 Ft (22 062 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 2 317 Ft off)
- Discounted price 20 849 Ft (19 856 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
23 166 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP USA
- Date of Publication 15 February 2001
- ISBN 9780195127256
- Binding Paperback
- No. of pages384 pages
- Size 254x178x20 mm
- Weight 662 g
- Language English
- Illustrations 12 halftones 0
Categories
Short description:
As the field of African American studies has gathered strength over the last decade, black theatre and performance has become a field unto itself. For literature scholars who study drama, and for playwrights, directors, and actors, the cultural heritage of black theatre has become too important to dismiss. Elam and Krasner's collection answers the need for a one-volume guide to the history and criticism of black theatre and performance. Assembled by two of the most respected and prolific scholars in black theatre and composed of essays from acknowledged authorities in the field (Joe Roach and Genevieve Fabre, among others), the volume is likely to become the central reference for those studying black theatre and a vital tool for literature and African-American scholars.
MoreLong description:
African-American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theatre, and performance in America. Assembled by two of the most respected and prolific scholars in black theater and composed of essays from acknowledged authorities in the field (Joe Roach and Genevieve Fabre, among others), this volume is organized into four sections representative of the ways black theatre, drama, and performance past and present interact and enact continuous social, cultural, and political dialogues. The premise behind the book is that analysing African-American theatre and performance traditions offers insight into how race has operated and continues to operate in American society. The only one-volume collection of its kind, this volume is likely to become the central reference for those studying black theatre.
Exciting collection ... The accessibility of the writing and the wide range of topics covered by individual contributors make this collection a useful resource for undergraduates, while there is enough new and provocative material here to make worthwhile reading for those researching American theatre and race at a more advanced level. Overall, an important addition to the field of American theatre studies.
