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    Acting Theory and the English Stage, 1700-1830

    Acting Theory and the English Stage, 1700-1830 by Zunshine, Lisa;

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      • Publisher's listprice GBP 35.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        18 214 Ft (17 347 Ft + 5% VAT)
      • Discount 20% (cc. 3 643 Ft off)
      • Discounted price 14 571 Ft (13 878 Ft + 5% VAT)

    18 214 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 27 February 2025

    • ISBN 9781138665255
    • Binding Paperback
    • No. of pages1782 pages
    • Size 234x156 mm
    • Weight 3300 g
    • Language English
    • 683

    Categories

    Short description:

    During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.

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    Long description:

    During the eighteenth century, treatises on the science of elocution, gesture and naturalness abounded. This title draws together a representative selection of the most difficult-to-access texts in the period. It helps cultural historians to examine the place of stagecraft in the eighteenth-century imagination.

    More

    Table of Contents:

    Volume 1: General Introduction, An Essay Towards an History of Dancing (1712), Censor (1717), An Elegy on the Death of Mr. Robert Wilks, etc. (1732), Prompter (1735), The History of the English Stage (1741), A Rhapsody on the Stage; or, Th e Art of Playing (1746), Human Physiognomy Explain?d (1747), An Essay on the Stage (1754), Reflections Upon Theatrical Expression in Tragedy (1755). Volume 2: The Theatrical Examiner (1757), The Theatrical Review (1757?8), A General View of the Stage (1759), The Actor: A Poetical Epistle to Bonnell Thornton (1760). The Theatrical Review: or, Annals of the Drama (1763). Volume 3: Dramatic Genius (1770), Th e Theatrical Review; or New Companion to the Play-House (1772), Macaroni (1773), The Sentimental Spouter; or, Young Actor?s Companion (1774), The Elements of Dramatic Criticism (1775), ?The Siddoniad ? a Characteristical and Critical Poem? (1784), The Modern Stage Exemplifi ed, in an Epistle to a Young Actor? (1788), New Thespian Oracle Containing Original Strictures on Oratory and Acting (1791), Th e New Spouter?s Companion (1792), Th e Secret History of the Green-Room: Containing Authentic and Entertaining Memoirs of the Actors and Actresses in the Three Theatres Royal (1795), Dramatic Censor or, Weekly Theatrical Report (1800). Volume 4: The Theatrical Speaker; or, an Elucidation of the Whole Science of Acting (1807), The Stranger in England (1807), The Dramatic Mirror (1808), The Prompter, or Cursory Hints to Young Actors. A Didactic Poem (1810), The Thespian Preceptor or, A Full Display of the Scenic Art (1811), The Dramatic Censor; or, Critical and Biographical Illustration of the British Stage (1811).

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