Abstract Art in the Late Twentieth Century
Series: Contemporary Artists and their Critics;
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Product details:
- Publisher Cambridge University Press
- Date of Publication 24 January 2002
- ISBN 9780521004534
- Binding Paperback
- No. of pages236 pages
- Size 229x154x15 mm
- Weight 393 g
- Language English
- Illustrations 12 b/w illus. 0
Categories
Short description:
Essays that trace the critical issues surrounding abstract painting's contribution to modern art.
MoreLong description:
By the middle of the 20th century, abstraction was the accepted language of art as practiced by painters and articulated by critics, who began to investigate its historical and theoretical dimensions. Abstract Art in the Late Twentieth Century includes seminal essays on abstract painting by eleven of its most incisive critics and written over four decades, between 1960 and 2000. Tracing the post-Greenbergian development of such critical issues as hard-edge painting, deductive and serial structure, monochrome abstraction, the psychological analogy, regionalism, and the 'death of painting' in post-modernism, they examine works by Ad Reinhardt, Frank Stella, Brice Marden, Sherrie Levine, and Gerhard Richter, among others. The introduction and commentary by Frances Colpitt situates the essays historically and examines their philosophical sources and influences, from formalism and phenomenology, to structuralism and poststructuralism. What emerges is a coherent and optimistic picture of abstract painting, the definitive contribution of modern art.
'Absorbing and illuminating collection of essays - should appeal to all scholars of contemporary art.' de Arte
Table of Contents:
Introduction; 1. Four abstract Classicists Jules Langsner; 2. Literalism and abstraction: Frank Stella's retrospective at the Modern Philip Leider; 3. Serial imagery John Coplans; 4. The silent art Lucy R. Lippard; 5. After the ultimate Gr&&&233;goire M&&&252;ller; 6. Marden, Novros, Rothko: painting in the age of actuality Sheldon Nodelman; 7. The end of a painting Douglas Crimp; 8. Signs taken for wonders Hal Foster; 9. The current state of nonrepresentation Jeremy Gilbert-Rolfe; 10. The abstract self-object Donald Kuspit; 11. Once removed from what? David Pagel; 12. Systems of opinion: abstract painting since 1959 Frances Colpitt.
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