Aaron Copland's Appalachian Spring
Series: Oxford Keynotes;
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Product details:
- Publisher OUP USA
- Date of Publication 9 November 2017
- ISBN 9780190646875
- Binding Paperback
- No. of pages152 pages
- Size 140x208x12 mm
- Weight 181 g
- Language English
- Illustrations 8 halftone, 4 line art 0
Categories
Short description:
Appalachian Spring, with music by Aaron Copland and choreography by Martha Graham, counts among the best known American contributions to the global concert hall and stage. Distinguished musicologist Annegret Fauser offers a concise and lively introduction to the history of the work, its realization on stage, and its transformations over time.
MoreLong description:
Appalachian Spring, with music by Aaron Copland and choreography by Martha Graham, counts among the best known American contributions to the global concert hall and stage. In the years since its premiere-as a dance work at the Library of Congress in 1944-it has become one of Copland's most widely performed scores, and the Martha Graham Dance Company still treats it as a signature work. Over the decades, the dance and the music have taken on a range of meanings that have transformed a wartime production into a seemingly timeless expression of American identity, both musically and visually. In this Oxford Keynotes volume, distinguished musicologist Annegret Fauser follows the work from its inception in the midst of World War II to its intersections with contemporary American culture, whether in the form of choreographic reinterpretations or musical ones, as by John Williams, in 2009, for the inauguration of President Barack Obama.
A concise and lively introduction to the history of the work, its realization on stage, and its transformations over time, this volume combines deep archival research and cultural interpretations to recount the creation of Appalachian Spring as a collaboration between three creative giants of twentieth-century American art: Graham, Copland, and Isamu Noguchi. Building on past and current scholarship, Fauser critiques the myths that remain associated with the work and its history, including Copland's famous disclaimer that Appalachian Spring had nothing to do with the eponymous Southern mountain region. This simultaneous endeavor in both dance and music studies presents an incisive exploration this work, situating it in various contexts of collaborative and individual creation.
Table of Contents:
Acknowledgments
About the Companion Website
Archives and Sources
Introduction: Appalachian Connotations
Chapter 1: A Commission and Its Context
Chapter 2: The Creation of a Dance Piece
Chapter 3: Appalachian Spring Performed
Chapter 4: Americana between War and Peace
Chapter 5: An American Icon
Additional Sources for Reading and Listening
