A Medium Seen Otherwise
Photography in Documentary Film
- Publisher's listprice GBP 86.00
-
41 086 Ft (39 130 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 10% (cc. 4 109 Ft off)
- Discounted price 36 978 Ft (35 217 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
41 086 Ft
Availability
printed on demand
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP USA
- Date of Publication 21 November 2023
- ISBN 9780190057763
- Binding Hardback
- No. of pages276 pages
- Size 156x235x20 mm
- Weight 476 g
- Language English
- Illustrations 131 B&W photographs 514
Categories
Short description:
In A Medium Seen Otherwise, author Roger Hallas looks at how documentaries engage with photographs to argue that the formal qualities of film allow new understanding of both photography's material life and dynamics. While photographs are conventionally understood to furnish documentary film with indexical evidence and visual illustration of history, the spatio-temporal and aural dimensions of film permit documentaries to illuminate photography's wider capacities beyond the merely representational.
MoreLong description:
Through a new look at how political, historical, and art documentaries engage with photographic images, objects, and archives, A Medium Seen Otherwise argues that film allows us to better understand what people do with analog and digital photographs as material objects that enable social and political relations through multisensory experience. Moreover, as a time-based medium with sound, film can bring the event of photography into fuller view, demonstrating how no single participant in it (photographer, subject, camera, photograph, or viewer) has sovereignty over its affect, meaning, or value. The book thus explores the ways in which the innovative incorporation of photography into documentary film permits us to see both of these media otherwise. Photographs, whether professional or vernacular, are conventionally understood to furnish documentaries with indexical evidence and visual illustration of history, yet the spatio-temporal and aural dimensions of film permit documentaries to illuminate photography's wider capacities beyond the merely representational.
Combining new critical perspectives on well-known documentary filmmakers and photographers (Agnès Varda, Rithy Panh, Edward Burtynsky, Malick Sidibé, Vivian Maier, JR, Ken Burns, Errol Morris, and Akram Zaatari) with analyses of lesser known, but important, documentaries, author Roger Hallas investigates a global range of documentary and vernacular photographic contexts, including Lebanon, Palestine, Mali, Congo, Cambodia, Ireland, Spain, Mexico, Chile, Canada, and the US. While authorship and representation remain common rhetorical frameworks for documentaries about photography, A Medium Seen Otherwise offers a compelling account of how the intermediality between documentary film and photography can posit far more expansive conceptions of both media. A companion website shows clips of films discussed in the book.
Table of Contents:
Acknowledgments
About the Companion Website
Introduction
1. Photographic Images in Documentary Film
2. Filming the Photographic Object
3. Filming the Photographer
4. Discoveries and Restitutions of the Photographic Archive
5. Encounters with Photographic Portraits
Conclusion
Notes
Bibliography
Index
