Short description:

Originally published in 1986, this volume illuminates the predominant theatrical styles of a particular period in dramatic history. It does this by reconstructing – as far as conjecture permits – the manner in which five major plays of the late Middle Ages might have been staged in fifteenth-century Britain. 

Long description:

Originally published in 1986, this volume illuminates the predominant theatrical styles of a particular period in dramatic history. It does this by reconstructing – as far as conjecture permits – the manner in which five major plays of the late Middle Ages might have been staged in fifteenth-century Britain. The author draws on his experience in producing medieval plays to discuss the business of staging in a novel way. General conclusions are drawn from specific examples and the qualities which give medieval English drama its idiosyncratic features and appeal are characterized.

Original Review of English Medieval Theatre 1400–1500:

‘Tydeman’s book will prove useful both to the literary historian and to the student of the history of dramatic production.’ Ronald J. Heckelman, Quidditas, Vol 8, Article 19 (1987).

‘The strength of the book is its lively sense of Medieval theatre and its potential.’ Martin Stevens, Albion: A Quarterly Journal Concerned with British Studies, Vol 19, No. 1 (1987).

Table of Contents:

Part 1: The Repertoire Part 2: Plays in Performance 1. The Booth Stage: Mankynde 2. Scenic Structures: The Croxton Play of the Sacrament 3. Theatre in the Round: The Castel of Perseverance 4. Processional Staging: The York Passion Sequence 5. Great Hall Theatre: Fulgens and Lucres.