European Cinema in the Twenty-First Century: Discourses, Directions and Genres

European Cinema in the Twenty-First Century

Discourses, Directions and Genres
 
Kiadás sorszáma: 1st ed. 2020
Kiadó: Palgrave Macmillan
Megjelenés dátuma:
Kötetek száma: 1 pieces, Book
 
Normál ár:

Kiadói listaár:
EUR 42.79
Becsült forint ár:
17 657 Ft (16 816 Ft + 5% áfa)
Miért becsült?
 
Az Ön ára:

16 244 (15 471 Ft + 5% áfa )
Kedvezmény(ek): 8% (kb. 1 413 Ft)
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
 
Beszerezhetőség:

Becsült beszerzési idő: Általában 3-5 hét.
A Prosperónál jelenleg nincsen raktáron.
Nem tudnak pontosabbat?
 
  példányt

 
 
 
 
A termék adatai:

ISBN13:9783030334352
ISBN10:303033435X
Kötéstípus:Puhakötés
Terjedelem:343 oldal
Méret:235x155 mm
Súly:563 g
Nyelv:angol
Illusztrációk: 33 Illustrations, black & white
423
Témakör:
Rövid leírás:

This book articulates a way of rethinking the study of European cinema that centres on students and their needs, in an accessible and comprehensive monograph introducing film students to the main discourses, directions and genres of twenty-first century European Cinema. Importantly, this collection is the first of its kind to apply a transversal approach to European cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning?s collection effectively addresses some of the most pressing questions in contemporary European Cinema, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international contexts which underpin them. This book makes a strong contribution to our understanding of recent European Cinema, while providing an invaluable resource for lecturers and students across a variety of film-centred modules. 


Hosszú leírás:

This book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Importantly, this collection is the first of its kind to apply a transversal approach to European Cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning?s collection effectively addresses some of the most pressing questions in contemporary European film, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international frameworks which underpin them. Combining accessible original research with a thorough grounding in recent histories and contexts, each chapter includes key definitions, reflective group questions, and a summative case study. Overall, this book makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.  



      

Tartalomjegyzék:
1.Introduction: The Identity of European Cinema
Ingrid Lewis and Laura Canning.

PART I: Discourses.
2.Nordic Cinema and Ecology: From Representation to Brainprint
Pietari Kääpa.
3.Migrations in European Documentary
Adam Vaughan.
4. Questioning the ?Normality Drama?: The Representation of Disability
Eleanor Andrews.
5.Women?s Memories in Holocaust Cinema
Ingrid Lewis.
6. A Warrior and His Inevitable Defeat in Post
-Yugoslav Cinema
Dino Murtić.

PART II: Directions.
7. Manoel de Oliveira Revisited: Auteur Cinema in the Twenty
-First
-Century
Ingrid Lewis and Irena Sever Globan.
8. From The Death of Mr. La?za?rescu to the Rebirth of Romanian Cinema
Doru Pop.
9. Connecting Through Denial: Small Eastern European Cinemas/Mainstream Recognition
Andrea Virginás.
10. ?I choose a film for the story? not for the awards?: Explaining the transnational appeal of contemporary European films
Huw Jones.
11. A Political Economic Analysis of the Provision of Tax Incentives in Irish Cinema
- Laura Canning and Maria O?Brien.

PART III: Genres.
12. On the Eve of the Journey: The New European Road Movie
Laura Rascaroli.
13. Analysing European Neo
-Noir Cinema
Bego?a Gutiérrez Martínez.
14. Dystopia Regained: European Science Fiction Film
Mariano Paz.
15. Spanish Horror Film
Vicente Rodriguez Ortega and Rubén Romero Santos.
16. European Animated Film
Joshua Gulam.