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  • Yonder Come the Blues: The Evolution of a Genre

    Yonder Come the Blues by Oliver, Paul; Russell, Tony; Dixon, Robert M. W.;

    The Evolution of a Genre

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 88.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        44 536 Ft (42 416 Ft + 5% VAT)
      • Discount 20% (cc. 8 907 Ft off)
      • Discounted price 35 629 Ft (33 933 Ft + 5% VAT)

    44 536 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 2, Revised
    • Publisher Cambridge University Press
    • Date of Publication 22 February 2001

    • ISBN 9780521782593
    • Binding Hardback
    • No. of pages374 pages
    • Size 254x178x22 mm
    • Weight 870 g
    • Language English
    • Illustrations 57 b/w illus. 3 maps 1 table
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    Categories

    Short description:

    This 2001 volume combines three influential and much-quoted books on African-American music.

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    Long description:

    Yonder Come the Blues combines three influential and much-quoted books: Savannah Syncopators; Blacks, Whites and Blues and Recording the Blues. Updated with additional essays, this 2001 volume discusses the crucial early development of the blues as a music of Blacks in the United States, explaining some of the most significant factors that shaped this music. Together, these three texts emphasise the significance of the African heritage, the mutuality of much white and black music and the role of recording in consolidating the blues, thus demonstrating the importance of these formative elements in its complex but combined socio-musical history. Redressing some of the misconceptions that persist in writing on African-American music, this book will be essential reading for all enthusiasts of blues, jazz and country music and will be important for students of African-American studies and music, popular music and popular culture.

    "The reappearance of these three long-out-of-print books is enough cause for celebration." Notes

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    Table of Contents:

    Introduction: yonder come the Blues Paul Oliver; Book One. Savannah Syncopators: African retentions in the Blues: 1. Afternoon - Nangodi; 2. Africa and jazz historian; 3. Music in West Africa; 4. Savannah song; 5. The source of the slaves; 6. Africa and the Blues; 7. Afterword Paul Oliver; Book Two. Blacks, Whites and Blues: Foreword; 8. Minstrelsy; 9. Old familiar tunes; 10. Letting out the Blues; 11. The Idea of the White People; 12. Out West; 13. Out East; 14. Afterword Tony Russell; Book Three. Recording The Blues: 15. The birth of a new industry; 16. The new market 1920-2; 17. The classic blues; 18. Into the field 1927-30; 19. Hard times; 20. Urban blues 1934-40; 21. End of an era 1941-5 Robert M. W. Dixon and John Godrich; 22. Afterword Howard Rye.

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