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  • Women, Portraiture and the Crisis of Identity in Victorian England: My Lady Scandalous Reconsidered

    Women, Portraiture and the Crisis of Identity in Victorian England by Denney, Colleen;

    My Lady Scandalous Reconsidered

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 150.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        75 915 Ft (72 300 Ft + 5% VAT)
      • Discount 20% (cc. 15 183 Ft off)
      • Discounted price 60 732 Ft (57 840 Ft + 5% VAT)

    75 915 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    Women, Portraiture and the Crisis of Identity in Victorian England shows the effect of celebrity and scandal on four prominent Victorian women: Mary Elizabeth Braddon, Lady Dilke, Millicent Garrett Fawcett, and Sarah Grand. Colleen Denney explores how these women used their portraits as tools of persuasion, performing a domestic masquerade to secure privacy and acceptance, or sites of resistance, tearing down male constructions of female propriety and fighting Victorian stereotypes of intellectual women.

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    Long description:

    Exploring the concept of portrait as memoir, Women, Portraiture and the Crisis of Identity in Victorian England: My Lady Scandalous Reconsidered examines the images and lives of four prominent Victorian women who steered their way through scandal to forge unique identities. The volume shows the effect of celebrity, and even notoriety, on the lives of Mary Elizabeth Braddon, Lady Dilke, Millicent Garrett Fawcett, and Sarah Grand. For these women, their portraits were more than speaking likenesses-whether painted or photographic, they became crucial tools the women used to negotiate their controversial identities. Women, Portraiture and the Crisis of Identity in Victorian England shows that the fascinating power of celebrity - and specifically its effects on women - was as much of a phenomenon in Victorian times as it is today. Colleen Denney explores how these women used their portraits as tools of persuasion, performing a domestic masquerade to secure privacy and acceptance, or sites of resistance, tearing down male constructions of female propriety and fighting Victorian stereotypes of intellectual women. Questioning the classic Victorian notions of "separate spheres," this volume celebrates women's search for self within the constraints of the nineteenth century, as well as within the world of present-day academia.

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    Table of Contents:

    Contents: Preface; Introduction: portraying smart women: scandalous revelations; Part 1 Victorian Scandals and Visual Tools of Persuasion: 'Sex, money and dirt': Mary Elizabeth Braddon, William Powell Frith, and the business of respectability; Victorian scandals and desperate political wives: a case study of Lady Dilke. Part 2 Challenging the Status Quo: A Woman's Modern Identity Formation as a Site of Resistance: 'Voiceless London': Millicent Garrett Fawcett's embodiment of the common cause or, resisting the scandal of the platform; Sarah Grand and the scandal of the new woman novelist; The scandal of the feminist woman at the fin de si?cle: cultural critique in Oscar Wilde's play An Ideal Husband (1895); Bibliography; Index.

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