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  • Women, Art, and Spirituality: The Poor Clares of Early Modern Italy

    Women, Art, and Spirituality by Wood, Jeryldene M.;

    The Poor Clares of Early Modern Italy

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      • Publisher's listprice GBP 94.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        47 573 Ft (45 308 Ft + 5% VAT)
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      • Discounted price 38 059 Ft (36 246 Ft + 5% VAT)

    47 573 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Cambridge University Press
    • Date of Publication 13 October 1996

    • ISBN 9780521496025
    • Binding Hardback
    • No. of pages290 pages
    • Size 254x178x17 mm
    • Weight 720 g
    • Language English
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    Short description:

    A study of the art made for the Franciscan nuns between the thirteenth and sixteenth centuries.

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    Long description:

    Originally published in 1996, Women, Art, and Spirituality: The Poor Clares of Early Modern Italy situates the art made between the thirteenth and sixteenth centuries for the Franciscan nuns in its historical and religious contexts. Evaluating its production from sociological and intellectual perspectives, this study also addresses the discourse between spirituality, devotional practices, and aesthetic attitudes as formalised in the construction and decoration of the women's convents and in their didactic literature. Based on a range of sources, it integrates important primary texts, such as Saint Clare's rule, poetry composed by the nuns, financial records, and family history in the analysis of paintings, sculpture, and architecture commissioned by the order. The text also synthesises theories from anthropology, women's studies, history, and literature with traditional iconographical and social approaches from art history.

    Review of the hardback: 'An excellent introduction to the religious vision of the Poor Clares, with a thorough and up to date bibliography.' Glasgow Women's Library

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    Table of Contents:

    1. Clara, Claris, Praeclara; 2. Within the walls; 3. Piccarda's convent; 4. A network of nuns; 5. Vision and ecstasy; Epilogue.

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