Wagner's Musical Prose
Texts and Contexts
Series: New Perspectives in Music History and Criticism; 3;
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61 238 Ft
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Product details:
- Publisher Cambridge University Press
- Date of Publication 21 September 1995
- ISBN 9780521417389
- Binding Hardback
- No. of pages418 pages
- Size 235x156x30 mm
- Weight 728 g
- Language English
- Illustrations 65 music examples 0
Categories
Short description:
This book provides critical perspectives on Wagner's prose on musical subjects set in historical and intellectual context.
MoreLong description:
This book is a study of the prose writings of Richard Wagner and their relevance to an understanding of his music and drama, as well as their relation to music criticism and aesthetics in the nineteenth century in general. As a by-product of Wagner's many-faceted career as musician, conductor, cultural critic and controversial ideologue, the writings are documents of undisputed interpretative value. This study focuses on Wagner's words on music, and interprets them in the light of the musical, aesthetic and critical contexts that generated them. Professor Grey considers Wagner's ambivalence concerning the idea of 'absolute music' and the capacity of music to project meaning or drama from within its own system of referents. Particularly relevant are Wagner's appropriation of a Beethoven legacy, the metaphors of musical 'gender' and 'biology' in Opera and Drama and the critical background to ideas of 'motive' and 'leitmotif' in theory and practice.
"...we are very fortunate to have this new study, which deals with Wagner's writings in an intelligent, authoritative, and probing manner. Thomas S. Grey seems to have read not only everything Wagner wrote but everything written about him from his own day to the present and about the principle aesthetic issues relevant to the Wagner `case.'...the scope and command of Grey's book is...magisterial." The Opera Quarterly
Table of Contents:
Preface; 1. Wagner and the problematics of 'absolute music' in the nineteenth century; 2. Beethoven reception and the hermeneutic impulse: 'poetic ideas' and new forms; 3. Engendering music drama: Opera and Drama and its metaphors; 4. The 'poetic-musical period' and the 'evolution' of Wagnerian form; 5. Endless melodies; 6. Motive and motivations: leitmotif and 'symphonic' drama; Appendices; Bibliography; Index.
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