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  • Wagner and Beethoven: Richard Wagner's Reception of Beethoven

    Wagner and Beethoven by Kropfinger, Klaus;

    Richard Wagner's Reception of Beethoven

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 61.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        30 872 Ft (29 402 Ft + 5% VAT)
      • Discount 20% (cc. 6 174 Ft off)
      • Discounted price 24 698 Ft (23 522 Ft + 5% VAT)

    30 872 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Cambridge University Press
    • Date of Publication 4 July 1991

    • ISBN 9780521342018
    • Binding Hardback
    • No. of pages302 pages
    • Size 229x152x21 mm
    • Weight 610 g
    • Language English
    • 0

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    Short description:

    This book analyses the lifelong impact of Beethoven's music on Wagner and its importance for his conception of music drama.

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    Long description:

    This book analyses the lifelong impact of Beethoven's music on Wagner and its importance for his conception of music drama. Kropfinger charts and scrutinises Wagner's early responses to the composer and considers his experience as a conductor of Beethoven's music. A discussion of the Romantic 'Beethoven image' leads to a careful study of Wagner's aesthetic writings, including his 'programmatic explanations', the text 'Concerning Franz Liszt's symphonic poems', and his Beethoven centenary essay. The penultimate chapter addresses Wagner's theory and practice of music drama which he came to regard as the preordained successor to the Beethovenian symphony. Through his study, Kropfinger offers a fresh understanding of Wagner, music drama, and the development of musical structures.

    "...a valuable survey of the effects of Wagner's lifelong preoccupation with Beethoven." Edward Lippman, Opera Quarterly

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    Table of Contents:

    Preface; Additional acknowledgements; Key to German and English sigla; 1. Introduction; 2. Wagner's experience of Beethoven; 3. The romantic background and Beethoven biography; 4. Beethoven's role in Wagner's writings on art; 5. Wagner's theory and construction of music drama; 6. Wagner as Beethoven's heir; Bibliography; Index of names and subjects.

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