Traditions, Institutions, and American Popular Tradition
A special issue of the journal Contemporary Music Review
Series: Contemporary Music Review S.; v.19, Pt.1.;
- Publisher's listprice GBP 39.99
-
20 238 Ft (19 275 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 4 048 Ft off)
- Discounted price 16 191 Ft (15 420 Ft + 5% VAT)
Subcribe now and take benefit of a favourable price.
Subscribe
20 238 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 1 August 2000
- ISBN 9789057551208
- Binding Paperback
- No. of pages166 pages
- Size 229x152 mm
- Weight 310 g
- Language English 0
Categories
Long description:
This issue explores the often uneasy relationship betwen rock and classical music by presenting a range of essays on the composers, performers, theorists, historians, critics and listeners who welcome the difficult but fruitful intercourse between classical and popular culture. Fascinating philosophical and analytical issues arise as a picture of the rich historical relationship between the two media emerges.
John Covach is associate professor of music at the University of North Carolina at Chapel Hill. He has published numerous articles on rock music, twelve-tone music and theory, and the philosophy of music. He is co-editor, with Graeme Boone, of Understanding Rock: Essays in Musical Analysis (Oxford UP, 1997). Also includes 32 musical examples.
Walter Everett is associate professor of music of Music at the University of Michigan. He has published numerous articles on rock music, art song, opera, Schenkerian theory, and other topics. He is author of The Beatles as Musicans: Revolver through the Anthology (O
Table of Contents:
Chapter 1 Harmonic Relations: American Popular Harmonies (1925?1950) and Their European Kin; Chapter 2 Performances in Early Hollywood Sound Films: Source Music, Background Music, and the Integrated Sound Track, David Neumeyer; Chapter 3 Analyzing Third Stream, David Joyner; Chapter 4 Into the Ivory Tower: Vernacular Music and the American Academy, Austin B. Caswell, Christopher Smith; Chapter 5 Re-Drawing Boundaries: The Kronos Quartet, Dave Headlam; Chapter 6 Can Music Reweave the Fabric of Our Fragmented Culture?, William Bolcom;
More
