The Tenth Muse
The Psyche of the American Poet
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Product details:
- Edition number New ed
- Publisher Cambridge University Press
- Date of Publication 27 September 1991
- ISBN 9780521424011
- Binding Paperback
- No. of pages358 pages
- Size 234x156x24 mm
- Weight 500 g
- Language English
- Illustrations 14 b/w illus. 4 maps 0
Categories
Short description:
The Tenth Muse considers the debate between intellect and passion apparent in the work of poets from Bradstreet to Rich.
MoreLong description:
The Tenth Muse was enormously well-received when first published by Harvard University Press in 1975, and has been deemed a classic work. It was out of print for several years and then re- issued by Cambrirdge in this 1992 edition. In it Albert Gelpi asks hard questions about how poetry can take on for itself the problems of shaping American identities and argues that the conditions of American life and culture have pushed our major poets into a debate between intellect and passion. Gelpi provides thorough readings of major American poets from Bradstreet and Taylor up to the modernists, often using contemporary poets (Rich, Ginsberg, Duncan) as frames for those predecessors.
"Mr. Gelpi, with brief glances at other poets in addition to the major five under especial scrutiny, illustrates his discussions with analyses of individual poems. His interpretations are often complex and brilliant and it is impossible to do justice to them in a short review. I found his discussion (and his distinction between) types and tropes as they appear in Taylor and in the later nineteenth-century poets and his interpretation of Dickinson's circumference poems as well as her use of sun, moon, and other basic symbols as they relate to the Demeter-Persephone-Kore archetype (as explicated by Jung, Neumann, and Kerenyi) particularly helpful." Donald E. Stanford, American Literature
Table of Contents:
Preface; The muse as psyche, the psyche as muse; 1. The American as artist, the artist as American; 2. Edward Taylor: types and tropes; 3. Ralph Waldo Emerson: the eye of the seer; 4. Edgar Allan Poe: the hand of the maker; 5. Walt Whitman: the self as circumference; 6. Emily Dickinson: the self as center; Notes; Index.
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