The Palm at the End of the Mind ? Relatedness, Religiosity, and the Real: Relatedness, Religiosity, and the Real

The Palm at the End of the Mind ? Relatedness, Religiosity, and the Real

Relatedness, Religiosity, and the Real
 
Publisher: MD ? Duke University Press
Date of Publication:
Number of Volumes: Cloth over boards
 
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GBP 92.00
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Product details:

ISBN13:9780822343592
ISBN10:0822343592
Binding:Hardback
No. of pages:256 pages
Size:250x150x15 mm
Weight:255 g
Language:English
700
Category:
Short description:

Through sixty-one beautifully crafted, concise essays, the anthropologist Michael Jackson reflects on life situations where we are sometimes thrown open to new ways of understanding ourselves and connecting with others.

Long description:
In many societies and for many people, religiosity is only incidentally connected with texts or theologies, church or mosque, temple or monastery. Drawing on a lifetime of ethnographic work among people for whom religion is not principally a matter of faith, doctrine, or definition, Michael Jackson turns his attention to those situations in life where we come up against the limits of language, our strength, and our knowledge, yet are sometimes thrown open to new ways of understanding our being-in-the-world, to new ways of connecting with others.

Through sixty-one beautifully crafted essays based on sojourns in Europe, West Africa, the United States, Australia, and New Zealand, and taking his cue from Wallace Stevens’s late poem, “Of Mere Being,” Jackson explores a range of experiences where “the palm at the end of the mind” stands “beyond thought,” on “the edge of space,” “a foreign song.” Moments of crisis as well as everyday experiences in cafés, airports, and offices disclose the subtle ways in which a single life shades into others, the boundaries between cultures become blurred, fate unfolds through genealogical time, elective affinities make their appearance, and different values contend.



“Michael Jackson’s sixty-one short essays, based on his experiences in disparate geographical settings, are designed to speak to each reader individually like a sophisticated musical composition, rather than advancing a linear argument. . . . Jackson’s case that ‘history, religion, spirituality, culture are shop-worn terms,’ and should be replaced by ‘the image of life at the edge of language, a shoreline on which the sea washes ceaselessly,’ is given substance by his own literary skill. And it is possible to glimpse here the makings of a shared ‘religious’ sensibility that may be fitfully emerging to unite different peoples and traditions, in ways influenced by, but not entirely decreed by, the gods of the marketplace.” - Jonathan Benthall, Times Literary Supplement