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    The Cinema of Powell and Pressburger: Romantic Imaginations

    The Cinema of Powell and Pressburger by Morris, Nathalie; Smith, Claire;

    Romantic Imaginations

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      • Publisher's listprice GBP 30.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        15 183 Ft (14 460 Ft + 5% VAT)
      • Discount 20% (cc. 3 037 Ft off)
      • Discounted price 12 146 Ft (11 568 Ft + 5% VAT)

    15 183 Ft

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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    Product details:

    • Publisher British Film Institute
    • Date of Publication 5 October 2023
    • Number of Volumes Hardback

    • ISBN 9781838719173
    • Binding Hardback
    • No. of pages216 pages
    • Size 250x194x22 mm
    • Weight 856 g
    • Language English
    • Illustrations 250 colour illus
    • 543

    Categories

    Short description:

    Delving into the magical, mystical and obsessive worlds of two visionaries of British film, this lavishly illustrated publication presents fresh perspectives on the film-making duo.

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    Long description:

    Michael Powell and Emeric Pressburger were true visionaries of British cinema, creating glorious Technicolor masterpieces including A Matter of Life and Death (1946), Black Narcissus (1947) and The Red Shoes (1948).

    Delving into their magical and obsessive worlds, this lavishly-illustrated publication presents fresh perspectives on the filmmaking duo, shining the spotlight not only on them, but also on their circle of talented collaborators. Thelma Schoonmaker, Caitlin McDonald, Alexandra Harris, Mahesh Rao, Sarah Street, Ian Christie and Marina Warner write about the key figures who shared Powell and Pressburger's creative journey, and Tilda Swinton, Tim Walker, Sarah Greenwood, Michelle Williams Gamaker, Sandy Powell, Joanna Hogg and Stephen Jones reflect on the ways in which Powell and Pressburger's stories and images have haunted and inspired them in their own work. The Cinema of Powell and Pressburger draws on the BFI's stunning design and archive collections, as well as key objects held in other public and private collections.

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    Table of Contents:

    A Letter from Tilda Swinton
    A Letter from Michael Powell to Emeric Pressburger
    1. INTRODUCTION by Claire Smith and Nathalie Morris
    A Note on Collaboration by Thelma Schoonmaker
    2. EXILES by Caitlin MacDonald
    Notes from a Photographer by Tim Walker
    3. PILGRIMS by Alexandra Harris
    Notes from a Production Designer by Sarah Greenwood
    4. BLACK NARCISSUS by Mahesh Rao
    Notes from an Artist by Michelle Williams Gamaker
    5. STARVED FOR TECHNICOLOR by Sarah Street
    Notes from a Costume Designer by Sandy Powell
    6. METAPHORS OF VISION by Ian Christie
    Notes from a Director by Joanna Hogg
    7. THE RED SHOES by Marina Warner
    Notes from a Milliner by Stephen Jones
    Index

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