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  • Tarab ? Music, Ecstasy, Emotion, and Performance: Music, Ecstasy, Emotion, and Performance

    Tarab ? Music, Ecstasy, Emotion, and Performance by Frishkopf, Michael; Marcus, Scott; Reynolds, Dwight;

    Music, Ecstasy, Emotion, and Performance

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    Product details:

    • Publisher MU ? University of Texas Press
    • Date of Publication 22 July 2025
    • Number of Volumes Hardback

    • ISBN 9781477331439
    • Binding Hardback
    • No. of pages296 pages
    • Size 229x152x33 mm
    • Weight 453 g
    • Language English
    • Illustrations 25 b&w photos
    • 700

    Categories

    Short description:

    How the concept of ?arab has impacted music and culture across the Islamic world.

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    Long description:

    In Arab culture, at the ineffable point where music meets emotion, lies ?arab. Often glossed as the ecstasy experienced and expressed when performing or listening to singing, instrumental works, and recitations of poetry, ?arab is both a practice and an orienting concept central to musical aesthetics and spirituality characteristic of Middle Eastern cultures.

    Gathering fifteen essays by scholars of music, affect, literature, religion, and education, ?arab extends the study of ?arab historically, geographically, and sociologically. Historical essays explore ?arab’s role in the medieval Middle East and the Ottoman Empire. Turning to the modern era, authors examine ?arab and related concepts in Egypt, Albania, and Iraq, and among Turkish Roma and Lebanese Maronite Christians. The contributors also address contemporary practitioners and the intersections of ?arab and maq?m, belly dancing, music streaming, and university music ensembles. Situating this unique cultural concept in a global context, these studies enrich the story of ?arab and provide new insight into music’s powerful emotional appeal.



    The field of ethnomusicology is changing, and this volume shows us how by engaging with historical, comparative, music psychological, popular music, and sound studies in addition to  other fields. The editors and authors sum up this entire field of study well, but also show that same field in motion. This volume is nothing short of a landmark moment in ethnomusicology.

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