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  • Style in the Art Theory of Early Modern Italy

    Style in the Art Theory of Early Modern Italy by Sohm, Philip;

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      • Publisher's listprice GBP 94.00
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    47 573 Ft

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    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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    Product details:

    • Publisher Cambridge University Press
    • Date of Publication 8 October 2001

    • ISBN 9780521780698
    • Binding Hardback
    • No. of pages344 pages
    • Size 259x183x25 mm
    • Weight 889 g
    • Language English
    • Illustrations 21 b/w illus.
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    Categories

    Short description:

    A study of style as an important artistic, literary, and historiographic practice.

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    Long description:

    Style is one of the oldest and most powerful analytic tools available to art writers. Through style, they have made attributions and dated paintings, classified works of art into artistic periods or schools, and verbally captured the visual essence of paintings. Despite the importance of style as an artistic, literary, and historiographic practice, the study of it as a concept has been intermittent, perhaps, as Philip Sohm argues, because style has resisted neat definition since the very origins of art history as a discipline. In this study, Sohm examines discussions of style from Vasari to Baldinucci, showing how the linguistic dimension of visual perception, the means through which painters styles have been described, and how concepts of language have shaped ideas of style. His analysis of the language that painters and their literate public used to characterize painters and paintings will enrich our understanding about the concept of style.

    "Shines a brilliant new light upon the concept and descriptive terminology of artistic style.... Sohm's own writing style, exquisite, incisive, and frequently witty, makes this complex topic accessible, enjoyable, and thought provoking." CAA Reviews

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    Table of Contents:

    Introduction; Part I. Language and Style: 1. Fighting with style; 2. The language of style; Part II. Definitions of Style: 3. Defining definition; 4. Giorgio Vasari: aestheticizing and historicizing style; 5. Nicolas Poussin and the rhetoric of style; 6. Marco Boschini: the techniques and artifice of style; 7. Filippo Baldinucci: cataloguing style and language; 8. A conclusion on indeterminate styles.

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