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    Stanislaw Fijalkowski

    Stanislaw Fijalkowski by Lodder, Christina; Smolinska, Marta;

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      • Publisher's listprice GBP 42.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        21 256 Ft (20 244 Ft + 5% VAT)
      • Discount 15% (cc. 3 188 Ft off)
      • Discounted price 18 068 Ft (17 207 Ft + 5% VAT)

    21 256 Ft

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    Product details:

    • Publisher Thames & Hudson
    • Date of Publication 27 March 2025

    • ISBN 9788857253114
    • Binding Hardback
    • No. of pages200 pages
    • Language English
    • 700

    Categories

    Long description:

    A complete monograph devoted to the Polish master of abstract painting, whose compositions play with minimalist forms and colour

    Stanis&&&322;aw Fija&&&322;kowski (1922-2020) boasts a direct connection to the very origins of the European avant-garde he was an assistant of Wladyslaw Strzeminski, who in turn had studied under Kazimir Malevich.

    Throughout six decades Fija&&&322;kowski maintained a solely unique idiom of mystical painting, hovering between the abstract and the representational. He also explored the subject theoretically and translated into Polish several important texts, including Wassily Kandinskys On the Spiritual in Art.

    Fija&&&322;kowski was also an accomplished engraver, with prints in the collections of Museum of Modern Art, New York and Tate Britain. Even when simplified to black and white his compositions still manage to convey an aura of meditative mystery. The artist had significant international presence in his lifetime he represented Poland at the S?o Paulo and Venice biennales, lectured in Belgium and Germany, served as Vice-President of the International Society of Wood Engravers XYLON in Winterthur, Switzerland.

    This comprehensive monograph is a rare opportunity for the international audience to rediscover an artistic vision of such scope and magnitude. Longevity allows Fija&&&322;kowski to trump the logic of isms, as critic Mark Sadler pointed out in his Frieze review of a 2016 exhibition.

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