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    Sound for Moving Pictures: The Four Sound Areas

    Sound for Moving Pictures by Hillman, Neil;

    The Four Sound Areas

    Series: Sound Design;

      • GET 10% OFF

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      • Publisher's listprice GBP 37.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        19 226 Ft (18 311 Ft + 5% VAT)
      • Discount 10% (cc. 1 923 Ft off)
      • Discounted price 17 304 Ft (16 480 Ft + 5% VAT)

    19 226 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Short description:

    Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing, and communicating all types of motion picture soundtracks.

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    Long description:

    Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design.


    The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning.


    Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing.


    Supplementary materials can be found on the companion website: www.soundformovingpictures.com



    Whether you?re an experienced film practitioner or a student at the beginning of your career, an academic looking for a deeper understanding of sound design or a teaching professional designing a Master?s degree module, or even a lecturer or student involved in the wider topic of film studies, there is a wealth of theoretical, practical and applicable knowledge contained within this educational, informative and entertaining book.


    www.behindtheglass.uk

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    Table of Contents:

    1 Introduction


    PART 1 Constructing the soundtrack


    2 Emotion in sound design


    3 Validating a new approach


    PART 2 Deconstructing the soundtrack


    4 The Four Sound Areas


    5 Applying the Four Sound Areas


    6 Reflections on practice


    PART 3 Communicating the soundtrack


    7 Adding to the lexicon


    8 Closing thoughts


    9 Appendices


    10 Credits


    Glossary


    References


    Index

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    Sound for Moving Pictures: The Four Sound Areas

    Sound for Moving Pictures: The Four Sound Areas

    Hillman, Neil;

    19 226 HUF

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