
Sophie Calle
Series: Photofile;
- Publisher's listprice GBP 14.99
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The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 15% (cc. 1 138 Ft off)
- Discounted price 6 448 Ft (6 141 Ft + 5% VAT)
7 586 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Thames & Hudson
- Date of Publication 12 January 2023
- ISBN 9780500411216
- Binding Paperback
- No. of pages176 pages
- Weight 300 g
- Language English 470
Categories
Long description:
The perfect primer on acclaimed French artist Sophie Calle.
Sophie Calle is a French writer, photographer, installation artist and conceptual artist. Her work is distinguished by its use of arbitrary sets of constraints, and frequently depicts human vulnerability, and examines identity and intimacy. She is renowned for her detective-like ability to follow strangers and investigate their private lives, which she has deployed in her acclaimed works Suite Venitienne, The Hotel and Address Book. She has had major exhibitions all over the world, including at the 2007 Venice Biennale, the Whitechapel Gallery in London, and the Louisiana Museum of Modern Art in Denmark, and has worked closely with the writer Paul Auster. The Guardian called her the Marcel Duchamp of dirty laundry, and she was among the names in Blake Gopnik's list 'The 10 Most Important Artists of Today', with Gopnik arguing, 'It is the unartiness of Calle's work its refusal to fit any of the standard pigeonholes, or over anyone's sofa that makes it deserve space in museums.'

Sophie Calle
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