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  • Shakespeare and Ballet: Gender, Sexuality, Race and Politics on Stage

    Shakespeare and Ballet by Fuller, David;

    Gender, Sexuality, Race and Politics on Stage

    Series: Shakespeare and Adaptation;

      • GET 13% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 85.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        40 608 Ft (38 675 Ft + 5% VAT)
      • Discount 13% (cc. 5 279 Ft off)
      • Discounted price 35 330 Ft (33 647 Ft + 5% VAT)

    40 608 Ft

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    Product details:

    • Publisher Bloomsbury Publishing (UK)
    • Date of Publication 5 February 2026
    • Number of Volumes Hardback

    • ISBN 9781350302532
    • Binding Hardback
    • No. of pages288 pages
    • Size 236x152x22 mm
    • Weight 580 g
    • Language English
    • Illustrations 30 bw illus
    • 0

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    Long description:

    "

    This new and comprehensive study of Shakespearean ballets and their unique interpretive possibilities is also the first to foreground the importance of music to the aesthetics and meanings of Shakespeare dance-works.

    ""A fascinating and highly readable account."" - Sir Stanley Wells

    ""An outstanding, remarkable book."" - Lisa S. Starks, University of South Florida, USA

    Organised around adaptations of key plays, each chapter offers close study of the contrasting interpretations and styles of a number of choreographers and illuminates issues of gender, sexuality, race and politics.

    While Shakespeare's work is recreated in diverse forms in theatres all over the world, ballet is potentially one of the most international and inclusive forms of theatrical expression, based in the fundamental expressive potential of the body. Since it moved into the avant-garde more than a century ago, it has been in the forefront of invention and experiment in the theatrical arts and yet the hundreds of ballets which have been based on Shakespeare's work have received scant attention in Shakespearean scholarship and criticism.

    David Fuller explores a wide range of Shakespeare's oeuvre as it has been recreated in this form, with studies of ballets based on some of his most famous works, including The Taming of the Shrew, A Midsummer Night's Dream, the Sonnets, Romeo and Juliet, Hamlet, Othello, Macbeth, and The Tempest. With analysis of productions from the 1940s to the present by British, American and European choreographers, it reads these as forms of creative criticism which reflect wider developments in society and in so doing show Shakespeare as perpetually contemporary.

    "

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    Table of Contents:

    List of Illustrations
    Acknowledgements

    Preface

    Chapter 1: Introduction
    Chapter 2: The Taming of the Shrew
    Chapter 3: A Midsummer Night's Dream
    Chapter 4: The Sonnets
    Chapter 5: Romeo and Juliet
    Chapter 6: Hamlet
    Chapter 7: Othello
    Chapter 8: Macbeth
    Chapter 9: The Tempest
    Chapter 10: Epilogue

    Notes
    Select Bibliography
    Index

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