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    Shakespeare and Antiblack World-Making

    Shakespeare and Antiblack World-Making by Chapman, Matthieu;

    Series: Reproducing Shakespeare;

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      • Publisher's listprice EUR 128.39
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        54 463 Ft (51 869 Ft + 5% VAT)
      • Discount 20% (cc. 10 893 Ft off)
      • Discounted price 43 570 Ft (41 495 Ft + 5% VAT)

    54 463 Ft

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    Product details:

    • Publisher Palgrave Macmillan
    • Date of Publication 11 July 2025
    • Number of Volumes 1 pieces, Book

    • ISBN 9783031920950
    • Binding Hardback
    • No. of pages224 pages
    • Size 210x148 mm
    • Language English
    • Illustrations Approx. 225 p.
    • 700

    Categories

    Short description:

    242424; mso-font-kerning: 0pt; mso-ligatures: none;">- Chapter 2: Shakespeare and Time: An Introduction.- Chapter 3: Shakespeare and Violence: An Introduction.- Chapter 4: Interlude: The Epiphenomenal Monograph.- Chapter 5: The First Time: Whitewashing White Permanence: The (Dis)/(re)Membering of White Corporeality in Early Modern England.- Chapter 6: The Second Time: “What a piece of worke is a man!”: Biocentrism, Gender, and Experimenting with The (un)Birth of Blackness in Shakespeare’s Plays.-  Chapter 7: The Third Time: Red, White, and Black: Shakespeare’s The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World.- Chapter 8: Time Warp: Who? What? When? Where? Why? Othello is a Black Man.- Chapter 9: The Fourth Time: The Affect of A Midsummer Night’s Dream on Black Lives: A Song to Underscore the Burning of Police Stations.- Chapter 10: The Fifth Time: Rewriting Shakespeare Through Performance: The Meta-Aporia of Black Flesh and White Bloodlust.

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    Long description:

    This book is about Shakespeare’s role in sustaining the antiblack paradigm of modernity. This work re-reads both Shakespearean texts and performances from the 16th century to the present to argue that American and English societies have deployed Shakespeare for four hundred years as a mechanism to construct and reinforce paradigmatic antiblackness. Framed within the author’s experiences as a Black scholar, actor, and director of Shakespeare and using both contemporary Critical Race Theory (CRT), as well as Pre-Modern Critical Race Studies (PCRS), this book uses civil society’s engagement with and performance of Shakespeare in various times and places to reveal the continuum of antiblackness that predates chattel slavery in America and contributes to antiblack world-making across oceans and centuries.

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    Table of Contents:

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