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  • Satie the Composer

    Satie the Composer by Orledge, Robert;

    Series: Music in the Twentieth Century;

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 28.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        14 170 Ft (13 496 Ft + 5% VAT)
      • Discount 20% (cc. 2 834 Ft off)
      • Discounted price 11 337 Ft (10 797 Ft + 5% VAT)

    14 170 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Cambridge University Press
    • Date of Publication 4 December 2008

    • ISBN 9780521078993
    • Binding Paperback
    • No. of pages440 pages
    • Size 229x152x23 mm
    • Weight 640 g
    • Language English
    • Illustrations 37 b/w illus.
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    Short description:

    Erik Satie remains one of the most bizarre figures in music history, yet everything he did has its own curious logic, once it can be perceived.

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    Long description:

    Erik Satie remains one of the most bizarre figures in music history, yet everything he did has its own curious logic, once it can be perceived. In this important new study Dr Orledge reveals what made Satie 'tick' as a composer, dealing with every aspect of Satie's complex career and relating his achievement to the other arts and to the society in which he lived. Almost every figure in contemporary art was involved with Satie in some way or another, from Matisse and Picasso to Apollinaire, Cocteau and Brancusi. This, however, is no mere life-and-works study but rather an exploration of the technique behind Satie's art, which foreshadowed most of the 'advances' of twentieth-century music from serialism to minimalism, and even muzak. As the book progresses Satie appears as far more than just the composer of the popular Gymnop&&&233;dies and Parade.

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    Table of Contents:

    List of illustrations; Preface; Acknowledgments; Abbreviations; Chronology; Some descriptions of Satie; 1. Satie's career as a composer: some interpretations; 2. Why and where Satie composed; 3. Parody, pastiche, quotation and the question of influence; 4. Satie and Debussy; 5. Satie's compositional aesthetic; 6. Satie, counterpoint and the Schola Cantorum; 7. Orchestration versus instrumentation; 8. Questions of form, logic and the mirror image; 9. Compositional systems and other sources of inspiration; 10. Composition and the other arts; 11. Satie on other composers; 12. Satie and the wider world; Appendix: chronological catalogue of Satie's compositions; Notes; Select bibliography; Index of Satie's works; General index.

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