The Routledge Companion to Expressionism in a Transnational Context

The Routledge Companion to Expressionism in a Transnational Context

 
Edition number: 1
Publisher: Routledge
Date of Publication:
 
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Short description:

This book focuses on the transnational formation, dissemination, and transformation of Expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, South Africa, and Japan, in the first half of the twentieth century.

Long description:

The Routledge Companion to Expressionism in a Transnational Context is a challenging exploration of the transnational formation, dissemination, and transformation of expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, and South Africa, in the first half of the twentieth century.



Comprising a series of essays by an international group of scholars in the fields of art history and literary and cultural studies, the volume addresses the intellectual discussions and artistic developments arising in the context of the expressionist movement in the various art centers and cultural regions. The authors also examine the implications of expressionism in artistic practice and its influence on modern and contemporary cultural production.



Essential for an in-depth understanding and discussion of expressionism, this volume opens up new perspectives on developments in the visual arts of this period and challenges the traditional narratives that have predominantly focused on artistic styles and national movements.



"Making a serious contribution to a global art history ... [the book] succeeds in mapping patterns of identity in under-explored geographical areas while augmenting our understanding of the concepts of expressionism and Bauhaus modernism."


--Art History

Table of Contents:



Expressionist Networks, Cultural Debates, and Artistic Practices: A Conceptual Introduction


Isabel Wünsche



Part I: Central and Eastern Europe and the Baltic States




  1. Prague ? Brno: Expressionism in Context


  2. Marie Rakušanová



  3. Košice Modernism and Anton Jaszusch?s Expressionism


  4. Zsófia Kiss-Szemán



  5. Expressionism in Hungary: From the Neukunstgruppe to Der Sturm


  6. András Zwickl



  7. Poznan Expressionism and Its Connections with the German and International Avant-garde


  8. Lidia Głuchowska



  9. Expressionist Networks in the Russian Empire, Soviet Russia, and the Soviet Union


  10. Isabel Wünsche



  11. Expressionism in Lithuania: From German Artistic Import to National Art


  12. Giedr? Jankeviči?t? and Laima Laučkait?



  13. Expressionist Originality in Latvia: Between Confirmation and Destruction


  14. Ginta Gerharde-Upeniece



  15. The Ambivalent Affair of Estonian Expressionism


  16. Tiina Abel



    Part II: Scandinavia



  17. Expressionism in Denmark: Art and Discourse


  18. Torben Jelsbak



  19. Expressionisms in Sweden: Anti-realism, Primitivism, and Politics in Painting and Print


  20. Margareta Wallin Wictorin



  21. Nationalism, Transnationalism, and the Discourses on Expressionism in Finland:


  22. From the November Group to Ina Behrsen-Colliander


    Timo Huusko and Tutta Palin



  23. Expressionism in Sámi Art: John Savio?s Woodcuts of the 1920s and 1930s


  24. Tuija Hautala-Hirvioja



  25. Early Expressionism in Icelandic Art: Jón Stefánsson, Jóhannes Kjarval, and Finnur Jónsson


  26. Margrét Elísabet Ólafsdóttir



    Part III: Western Europe



  27. Early Engagements: Peripheral British Responses to German Expressionism


  28. Christian Weikop



  29. Expressionism in the Netherlands


  30. Gert Imanse and Gregor Langfeld



  31. Flemish Expressionism in Belgium


  32. Cathérine Verleysen



  33. Jewish Expressionists in France, 1900-1940


  34. Richard D. Sonn



  35. German Expressionism in Italy: Herwarth Walden?s Der Sturm, the Berlin


  36. Novembergruppe, and the Modernist Circles of Florence, Turin, and Rome


    Irene Chytraeus-Auerbach



  37. Expressionism and the Spanish Avant-garde between Restoration and Renovation


  38. Wiebke Gronemeyer



  39. Portuguese Expressionism, or German Expressionism in Portugal?


  40. Nina Blum de Almeida



    Part IV: Southeastern Europe



  41. Expressionism in Slovenia: The Aspects of a Term


  42. Marko Jenko



  43. From Anxiety to Rebellion: Expressionism in Croatian Art


  44. Petar Prelog



  45. On New Art and its Manifestations: Rethinking Expressionism in Visual Arts in Belgrade


  46. Ana Bogdanović



  47. Tokens of Identity: Expressionisms in Romania around the First World War


  48. Erwin Kessler



  49. Expressionism in Bulgaria: Critical Reflections in Art Magazines and the Graphic Arts


  50. Irina Genova



    Part V: Beyond Europe



  51. Expressionism in Canada and the United States


  52. Oliver A.I. Botar and Herbert R. Hartel, Jr.



  53. Expressionism in Latin America and Its Contribution to the Modernist Discourse


  54. Maria Frick



  55. The Expressionist Roots of South African Modernism


Lisa Hörstmann



Selected Bibliography


Index