Long description:

The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish ?outsiders? to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness ? as religion, ethnicity, social role, cultural code, or text ? these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.

?The ?Film Europa: German Cinema in an International Context? series is increasingly indispensable for those interested in film history or media studies. This collection appears in that series, and Hales and Weinstein provide a masterful introduction that places the historical bookmark where it belongs: everything starts with Siegfried Kracauer's From Caligari to Hitler: Psychological History of the German Film (1947) and Lotte Eisner's The Haunted Screen (1952)? Highly Recommended.?  ? Choice

?An important contribution to an understanding of filmmaking in Germany during the Weimar Republic. This volume offers a multi-faceted, in-depth investigation into the Jewish presence in Weimar cinema both on screen, in various genres, and off screen through biographical sketches and film reviews.? ? Barbara Kosta, University of Arizona

?Rethinking Jewishness in Weimar Film makes a significant and welcome contribution to the study of Weimar film, to German film studies in general, and to German Jewish studies. It presents detailed research and analysis of important Weimar films, artists, and critics; most of them have not been examined in much detail by other scholars, and when they have been, they have rarely been analyzed in relation to Jewishness, a concept that this volume explores in a very nuanced manner.? ? Rick McCormick, University of Minnesota

Table of Contents:

List of Illustrations

Acknowledgements

List of Contributors

Introduction: The Jewishness of Weimar Cinema

Barbara Hales and Valerie Weinstein

Part I: Jewish Visibility On and Off Screen

Chapter 1. Humanizing Shylock: The ?Jewish Type? in Weimar Film

Maya Barzilai

Chapter 2. Energizing the Dramaturgy: How Jewishness Shaped Alexander Granach?s Performances in Weimar Cinema

Margrit Frölich

Chapter 3. The Jewish Vamp of Berlin: Actress Maria Orska, Typecasting, and Jewish Women

Kerry Wallach

Chapter 4. Jewish Comedians beyond Lubitsch: Siegfried Arno in Film and Cabaret

Mila Ganeva

Chapter 5. Alfred Rosenthal?s Rhetoric of Collaboration, the Politics of Jewish Visibility, and Jewish Weimar Film Print Culture

Ervin Malakaj

Part II: Coding and Decoding Jewish Difference

Chapter 6. Two Worlds, Three Friends, and the Mysterious Seven-Branched Candelabrum: Jewish Filmmaking in Weimar Germany

Philipp Stiasny

Chapter 7. Homosexual Emancipation, Queer Masculinity, and Jewish Difference in Anders als die Andern (1919)

Valerie Weinstein

Chapter 8. Der Film ohne Juden: G.W. Pabst?s Die freudlose Gasse (1925)

Lisa Silverman

Chapter 9. ?The World is Funny, Like a Dream:? Franziska Gaal?s Verwechslungskomödien and Exile?s Crisis of Identity

Anjeana K. Hans

Part III: Jewishness as Antisemitic Construct

Chapter 10. Cinematically Transmitted Disease: Weimar?s Perpetuation of the Jewish Syphilis Conspiracy

Barbara Hales

Chapter 11. The Einstein Film: Animation, Relativity, and the Charge of ?Jewish Science?

Brook Henkel

Chapter 12. ?A Clarion Call to Strike Back?: Antisemitism and Ludwig Berger's Der Meister von Nürnberg (1927)

Christian Rogowski

Chapter 13. Banning Jewishness: Stefan Zweig, Robert Siodmak, and the Nazis

Andréas-Benjamin Seyfert

Chapter 14. Detoxification: Nazi Remakes of E. A. Dupont?s Blockbusters

Ofer Ashkenazi

Coda

Chapter 15. ?Filmrettung: Save the Past for the Future!?: Film Restoration and Jewishness in German and Austrian Silent Cinema

Cynthia Walk

Afterword

Barbara Hales and Valerie Weinstein