Performing Femininity
Woman as Performer in Early Russian Cinema
Series: KINO - The Russian and Soviet Cinema;
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15 283 Ft (14 555 Ft + 5% VAT)
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15 283 Ft
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Product details:
- Publisher Bloomsbury Publishing (UK)
- Date of Publication 29 July 2021
- Number of Volumes Paperback
- ISBN 9781350242869
- Binding Paperback
- No. of pages304 pages
- Size 214x136x18 mm
- Weight 380 g
- Language English
- Illustrations 17 bw illus 174
Categories
Long description:
"Oriental dancers, ballerinas, actresses and opera singers the figure of the female performer is ubiquitous in the cinema of pre-Revolutionary Russia. From the first feature film, Romashkov's Stenka Razin (1908), through the sophisticated melodramas of the 1910s, to Viskovsky's The Last Tango (1918), made shortly before the pre-Revolutionary film industry was dismantled by the new Soviet government, the female performer remains central. In this groundbreaking new study, Rachel Morley argues that early Russian film-makers used the character of the female performer to explore key contemporary concerns from changing conceptions of femininity and the emergence of the so-called New Woman, to broader questions concerning gender identity. Morley also reveals that the film-makers repeatedly used this archetype of femininity to experiment with cinematic technology and develop a specific cinematic language."""
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