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  • Ontology of the Musical Work – Scored Music, Jazz, Pop, and Rock: Scored Music, Jazz, Pop, and Rock

    Ontology of the Musical Work – Scored Music, Jazz, Pop, and Rock by Cugny, Laurent; Mauduit, Bérengère;

    Scored Music, Jazz, Pop, and Rock

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      • Publisher's listprice GBP 27.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        13 372 Ft (12 735 Ft + 5% VAT)
      • Discount 10% (cc. 1 337 Ft off)
      • Discounted price 12 035 Ft (11 462 Ft + 5% VAT)

    13 372 Ft

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    Not yet published.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher MP–MPP University Press of Mississippi
    • Date of Publication 16 March 2026

    • ISBN 9781496861047
    • Binding Paperback
    • No. of pages pages
    • Size 235x156x15 mm
    • Weight 666 g
    • Language English
    • Illustrations 10 figures
    • 700

    Categories

    Long description:

    "

    What defines a ""musical work""? Traditionally, this question has been dominated by Western art music and its reliance on prescriptive scores. Yet, with the rise of recording technologies and the growing influence of genres like jazz, pop, and rock, the very foundations of music’s ontology have shifted. In English for the first time, Ontology of the Musical Work: Scored Music, Jazz, Pop, and Rock explores these transformative changes, offering a groundbreaking framework for understanding how music is created, experienced, and valued in contemporary contexts.

    This book introduces a new theory of music production—one distinct from the conventional paradigms of writing and orality—that emphasizes the unique characteristics of recorded music. Using this perspective, it critiques the traditional focus on scored music and reimagines the concept of the ""musical work,"" bridging the divide between Anglophone analytic aesthetics and Continental philosophical traditions.

    Ultimately, Ontology of the Musical Work redefines the cultural and aesthetic significance of jazz and popular music, offering fresh insights into their roles within a rapidly evolving musical landscape. A vital contribution to musicology and philosophy, this book equips readers with new tools to understand and appreciate the diverse ways music resonates in our world today.

    "

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