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    New World Maker Volume 40 ? Radical Poetics, Black Internationalism, and the Translations of Langston Hughes: Radical Poetics, Black Internationalism, and the Translations of Langston Hughes

    New World Maker Volume 40 ? Radical Poetics, Black Internationalism, and the Translations of Langston Hughes by Kernan, Ryan James;

    Radical Poetics, Black Internationalism, and the Translations of Langston Hughes

    Series: FlashPoints;

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      • Publisher's listprice GBP 32.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        16 195 Ft (15 424 Ft + 5% VAT)
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    16 195 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher MP?NWS Northwestern University Press
    • Date of Publication 31 July 2022

    • ISBN 9780810144422
    • Binding Paperback
    • No. of pages432 pages
    • Size 226x148x36 mm
    • Weight 264 g
    • Language English
    • 425

    Categories

    Short description:

    In an ambitious reappraisal of Langston Hughes&&&8217;s work and legacy, Ryan James Kernan reads Hughes&&&8217;s political poetry in the context of his practice of translation to reveal an important meditation on diaspora.

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    Long description:

    In an ambitious reappraisal of Langston Hughes&&&8217;s work and legacy, Ryan James Kernan reads Hughes&&&8217;s political poetry in the context of his practice of translation to reveal an important meditation on diaspora. Drawing on heretofore unearthed archival evidence, Kernan shows how Hughes mined his engagements with the poetics of Louis Aragon, Nicol&&&225;s Guill&&&233;n, Regino Pedroso, Vladimir Mayakovsky, Federico Garc&&&237;a Lorca, and L&&&233;opold S&&&233;dar Senghor, as well as translations of his own poetry, to fashion a radical poetics that engaged Black left internationalist concerns. As he follows Hughes from Harlem to Havana, Moscow, Madrid, and finally to Dakar, Kernan reveals how the writer&&&8217;s identity and aesthetic were translated within these leftist geographies and metropoles, by others but also collaboratively. As Kernan argues, we cannot know Hughes without knowing him in translation.

    Through original research and close readings alert to the foreign prosody underlying Hughes&&&8217;s work, New World Maker recuperates his political writing, which had been widely maligned by Cold War detractors and adherents of New Criticism, and affirms his place as a progenitor of African diasporic literature and within the pantheon of US modernists. Demonstrating the integral part translation played in Hughes&&&8217;s creative process, this book challenges a number of common assumptions about this canonical thinker and offers important insights for scholars of African diasporic literature, comparative literature, and American, Caribbean, and translation studies.

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