Music of the Night
Religious Influences and Spiritual Resonances in Operetta and Musical Theatre
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Product details:
- Publisher OUP USA
- Date of Publication 26 June 2025
- ISBN 9780197699744
- Binding Paperback
- No. of pages224 pages
- Size 226x150x17 mm
- Weight 318 g
- Language English 700
Categories
Short description:
Bradley uncovers a hidden side of operetta and musical theatre. He highlights the significant religious and spiritual influences which pervade the work of composers and librettists such as Offenbach, Lehár, Gilbert & Sullivan, and Sondheim.
MoreLong description:
This book offers readers a fascinating new look into the spiritual side of operetta and musical theatre, two closely related genres often dismissed as trivial, shallow, and essentially secular.
Bradley challenges these judgements and seeks to show that there have been clear religious influences and spiritual resonances in some of the best known and most popular works in both genres. He points to the darker and more serious side of operetta and musical theatre to analyse the work of Offenbach, Lehár, Gilbert and Sullivan, Rodgers and Hammerstein, Sondheim, Schwartz, Lloyd Webber, and Boublil and Schoenberg. Readers will never listen to The Mikado, The Sound of Music, Fiddler on the Roof, Sweeney Todd, Wicked, Les Miserables and The Lion King in the same way again.
Using hitherto largely neglected sources, Music of the Night explores the Jewish and Catholic roots of French operetta composers, the impact of Franz Lehár's Catholic faith, the effect of Oscar Hammerstein's early exposure to Universalism, and the High Church aesthetic of Andrew Lloyd-Webber. Further chapters discuss Arthur Sullivan's softening and spiritualising effect on W. S. Gilbert's lyrics in the Savoy operas, Stephen Sondheim's secularism, and Stephen Schwartz as the 'reluctant pilgrim'. There is specific analysis of the religious influences and spiritual resonances in six key musicals: The Sound of Music, Fiddler on the Roof, Godspell, Jesus Christ Superstar, Les Misérables and The Lion King. A concluding chapter briefly surveys the musicals of the twenty-first century.
Table of Contents:
Introduction
Jewish and Catholic influences in operetta
A matter of life and death: Darkness and light in Gilbert and Sullivan
The fatherhood of God and the brotherhood of man: Oscar Hammerstein II
Nuns and menorahs: The Sound of Music and Fiddler on the Roof
God dont answer prayers a lot: The secularism of Stephen Sondheim
The reluctant pilgrim: Stephen Schwartz
Spiritual yearning and High Church aesthetics: Andrew Lloyd Webber
The two Jesuses: Godspell and Jesus Christ Superstar
The road to Calvary and the circle of life: Les Misérables and The Lion King
Mamma Mia! and The Book of Mormon: The spiritual show goes on
