Modest Musorgsky and Boris Godunov
Myths, Realities, Reconsiderations
Series: Cambridge Opera Handbooks;
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Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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Product details:
- Publisher Cambridge University Press
- Date of Publication 10 March 1994
- ISBN 9780521361934
- Binding Hardback
- No. of pages356 pages
- Size 236x155x31 mm
- Weight 700 g
- Language English
- Illustrations 17 b/w illus. 0
Categories
Short description:
Caryl Emerson and Robert Oldani take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov.
MoreLong description:
Caryl Emerson (a literary specialist) and Robert William Oldani (a music historian) take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov. The result is both a historical study of a famous work and an interpretative piece of scholarship. The topics discussed include: the 'Boris Tale' in history; Karamzin's history and Pushkin's drama as literary sources; Musorgsky's innovations as a librettist and as a theorist of the sung Russian word; the strange story of the opera's composition and revision; its first productions at home and abroad; and an in-depth musical analysis. In the process, several often-met errors in Musorgsky scholarship are clarified and corrected. A final chapter speculates on the opera's themes of political murder, guilt and legitimacy - so important to Russian literary and national identity in the nineteenth and twentieth centuries - and the new role the 'Boris plot' and its composer might come to play in more recent phases of Russian cultural life.
"Emerson and Oldani's portrait of Musorgsky as composer is broad, intelligent and convincing." The Russian Review
Table of Contents:
List of illustrations; List of tables; Preface and acknowledgments; Part I. Background: 1. Tsar Boris in history; 2. Musorgsky's literary sources, Karamzin and Pushkin; 3. Narrative and musical synopsis of the opera; 4. History of the composition, rejection, revision, and acceptance of Boris Godunov; 5. A tale of two productions - St. Petersburg (1874-1882), Paris (1908); Part II. Entr'acte: 6. Boris and the censor: documents; 7. The opera through the years: selected texts in criticism; Part III. Interpretation: 8. The Boris libretto as a formal, literary, and historical problem; 9. The music; 10. Boris Godunov during the jubilee decade: the 1980s and beyond; Discography; Bibliography; Index.
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