Making a Scene in Documentary Film: Iconic Filmmakers Discuss What Works and Why

Making a Scene in Documentary Film

Iconic Filmmakers Discuss What Works and Why
 
Edition number: 1
Publisher: Routledge
Date of Publication:
 
Normal price:

Publisher's listprice:
GBP 35.99
Estimated price in HUF:
17 383 HUF (16 555 HUF + 5% VAT)
Why estimated?
 
Your price:

15 644 (14 900 HUF + 5% VAT )
discount is: 10% (approx 1 738 HUF off)
The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
Click here to subscribe.
 
Availability:

Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Can't you provide more accurate information?
 
  Piece(s)

 
 
 
 
Product details:

ISBN13:9781032184814
ISBN10:1032184817
Binding:Paperback
No. of pages:202 pages
Size:229x152 mm
Weight:720 g
Language:English
Illustrations: 29 Illustrations, black & white; 29 Halftones, black & white
602
Category:
Short description:

This collection of iconic interviews helps demystify the documentary filmmaking process by deconstructing the most relevant and important scenes in some of documentary?s most well-known films. It offers concrete, real-world examples of the situations and decisions that filmmakers navigate.

Long description:

This collection of iconic interviews helps demystify the documentary filmmaking process by deconstructing the most relevant and important scenes in some of today's most well-known documentary films. It offers concrete, real-world examples of the situations and decisions that filmmakers navigate. We go behind the scenes with the creators to learn the methodologies and approaches these directors, cinematographers, editors, and sound recordists have taken to bring these amazing documentaries to life.


What makes a great scene? Why are they so important in the construction of a great film? The interviews included offer excellent insights from the directors of the award-winning The Truffle Hunters, My Octopus Teacher, Collective, Knock Down the House, Dick Johnson Is Dead, and Trapped; the cinematographer of RBG, Julia, and Fauci; the editor of Time; and sound recordist of Tiger King. Award-winning documentary filmmaker and esteemed Sundance advisor Maxine Trump goes in-depth with each filmmaker, asking about their creative process. Why did these scenes make such a deep impression on both the filmmakers and their audience? Was it the cinematic style, the dynamic dialogue, the magic of observational filmmaking, or a surprising turning point?


This technical but creative and accessible resource is suitable for documentary filmmakers, aspiring directors, producers, editors, and cinematographers of non-fiction film. Each interview offers a fresh perspective to the emerging or professional filmmaker and audience alike.

Table of Contents:

Foreword;  1 - Introduction - Scenes, Styles, and Genres;  2 ? Observational - Truffle Hunters;  3 - Interview-Led - Trapped;  4 - Hybrid and Performative - Dick Johnson Is Dead;  5 - Poetic and Character-Led -Time;  6 - Archive - RBG;  7 - Natural History Genre - My Octopus Teacher;  8 - Competition Genre - Knock Down the House;  9 - Investigative Genre ? Collective;  10 - Crime Drama Series - Tiger King;  Addendum - Film List by Style and Genre;  Acknowledgments; Index