Liszt and Virtuosity
 
Product details:

ISBN13:9781580469395
ISBN10:1580469396
Binding:Hardback
No. of pages:446 pages
Size:233x158x32 mm
Weight:712 g
Language:English
Illustrations: 100 line illus. Line drawings, black & white
627
Category:

Liszt and Virtuosity

 
Publisher: Boydell and Brewer
Date of Publication:
Number of Volumes: Print PDF
 
Normal price:

Publisher's listprice:
GBP 120.00
Estimated price in HUF:
57 960 HUF (55 200 HUF + 5% VAT)
Why estimated?
 
Your price:

52 164 (49 680 HUF + 5% VAT )
discount is: 10% (approx 5 796 HUF off)
The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
Click here to subscribe.
 
Availability:

Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Can't you provide more accurate information?
 
  Piece(s)

 
Short description:

A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.

Long description:
In the annals of music history, few figures have dominated the discussion of virtuosity as much as Franz Liszt. A flamboyant performer whose hair-raising technical feats at the piano created a sense of awe-inspiring excitement and an icon whose star power radiated far beyond the realm of music, Liszt was, along with his early model, Paganini, among the first major performer-composers to define himself principally by virtuosity.

Featuring new essays by an international group of preeminent scholars, Liszt and Virtuosity offers a reevaluation of the concept and practices of virtuosity as shaped and defined in Liszt's multifaceted oeuvre, as well as a reconsideration of Liszt's relation to other major and lesser-known musical figures, including Czerny, Schubert, Chopin, Brahms, Debussy, and Marie Ja&&&235;ll.

Set in the context of larger trends within the fields of music history, music analysis, intellectual history, and performance studies, these capacious explorations demonstrate that Liszt's uniqueness and significance resided in his ability to transform virtuosity into a revolutionary musical force, pushing the piano aesthetic to the limits of sound and poetic meaning.

ROBERT DORAN is Professor of French and Comparative Literature at the University of Rochester and an Affiliate Faculty member in the Music Theory Department at the Eastman School of Music.

This splendid volume dispels any lingering prejudices against nineteenth-century piano virtuosity and especially against Franz Liszt--often suspected of practicing a musical dark art. By casting new light on Liszt's singular virtuosity in essays on his instruments, technique, and teaching through to his revolutionary compositional aesthetic, the internationally distinguished authorship aspires to a level of understanding no less transformational than the work of the spectacular figure at center stage. --John Rink, Professor of Musical Performance Studies, University of Cambridge