Liszt and Virtuosity
Series: Eastman Studies in Music; Volume 168;
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Product details:
- Publisher University of Rochester Press
- Date of Publication 27 July 2020
- Number of Volumes Print PDF
- ISBN 9781580469395
- Binding Hardback
- No. of pages446 pages
- Size 228x152 mm
- Weight 697 g
- Language English
- Illustrations 100 line illus. Line drawings, black & white 394
Categories
Short description:
A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.
MoreLong description:
CO-WINNER: The Triennial Alan Walker Book Award, sponsored by the American Liszt Society 2023
A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries.
In the annals of music history, few figures have dominated the discussion of virtuosity as much as Franz Liszt. A flamboyant performer whose hair-raising technical feats at the piano created a sense of awe-inspiring excitement and an icon whose star power radiated far beyond the realm of music, Liszt was, along with his early model, Paganini, among the first major performer-composers to define himself principally by virtuosity.
Featuring new essays by an international group of preeminent scholars, Liszt and Virtuosity offers a reevaluation of the concept and practices of virtuosity as shaped and defined in Liszt's multifaceted oeuvre, as well as a reconsideration of Liszt's relation to other major and lesser-known musical figures, including Czerny, Schubert, Chopin, Brahms, Debussy, and Marie Jaëll.
Set in the context of larger trends within the fields of music history, music analysis, intellectual history, and performance studies, these capacious explorations demonstrate that Liszt's uniqueness and significance resided in his ability to transform virtuosity into a revolutionary musical force, pushing the piano aesthetic to the limits of sound and poetic meaning.
Table of Contents:
Introduction: Virtuosity and Liszt - Robert Doran
Part One: Liszt, Virtuosity, and Performance
Apr?s une lecture de Czerny?: Liszt's Creative Virtuosity - Kenneth Hamilton
Transforming Virtuosity: Liszt and Nineteenth-Century Pianos - Olivia Sham
Spirit and Mechanism: Liszt's Early Piano Technique and Teaching - Nicolas Dufetel
Paths through the Lisztian Ossia - Jonathan Kregor
Brahms "versus" Liszt: The Internalization of Virtuosity - David Keep
Part Two: Lisztian Virtuosity: Theoretical Approaches
The Practice of Pianism: Virtuosity and Oral History - Jim Samson
Liszt's Symbiosis: The Question of Virtuosity and the Concerto Arrangement of Schubert's Wanderer Fantasy - Jonathan Dunsby
From the Brilliant Style to the Bravura Style: Reconceptualizing Lisztian Virtuosity - Robert Doran
Part Three: Virtuosity and Anti-Virtuosity in "Late Liszt"
Harmony, Gesture, and Virtuosity in Liszt's Revisions: Shaping the Affective Journeys of the Cypress Pieces from Années de p?lerinage III - Dolores Pesce
Anti-Virtuosity and Musical Experimentalism: Liszt, Marie Jaëll, Debussy, and Others - Ralph P. Locke
Virtuosity in Liszt's Late Piano Works - Shay Loya
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