Product details:
ISBN13: | 9780198754817 |
ISBN10: | 0198754817 |
Binding: | Hardback |
No. of pages: | 496 pages |
Size: | 242x162x31 mm |
Weight: | 1 g |
Language: | English |
604 |
Category:
Letters of Basil Bunting
Publisher: OUP Oxford
Date of Publication: 28 July 2022
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Publisher's listprice:
GBP 37.99
GBP 37.99
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14 679 (13 980 HUF + 5% VAT )
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Short description:
An edition of the letters of the poet Basil Bunting (1900-1985) to recipients including Ezra Pound, T. S. Eliot, Harriet Monroe, William Carlos Williams, Louis Zukofsky, Ted Hughes, George Oppen, Allen Ginsberg, Donald Davie and Tom Pickard.
Long description:
An edition of the letters of the poet Basil Bunting (1900-1985).
This is a long-awaited first selected edition of the letters of Basil Bunting, one of the major modernist poets of the twentieth century. It includes a large portion of Bunting's correspondence (around 200 letters) to recipients including Ezra Pound, T. S. Eliot, Harriet Monroe, William Carlos Williams, Louis Zukofsky, Ted Hughes, George Oppen, Allen Ginsberg, Donald Davie, and Tom Pickard.
Following Bunting from his first encounters with major literary figures in London and Paris in the 1920s to his death in Northumberland in 1985, this selection showcases a narrative that is crucial to the history of modernism and modern poetry in English. Highlights include a long and detailed dialogue with Ezra Pound in the 1930s on political, economic, and literary subjects, a rich, ruminative exchange with the American poet Louis Zukoksfy lasting over four decades, and various accounts of the excitements and controversies of the Anglo-American poetry scene of the 60s and 70s.
Whether Bunting is writing from New York at the height of the Depression, Iran in the aftermath of World War II, or the north of England during preparation of his masterpiece Briggflatts (1966), his prose is unfailingly sharp, eloquent, entertaining, and caustic.
This edition contains detailed annotations of Bunting's letters, a critical introduction, glossary of names, and an editorial commentary.
Bunting was an extraordinary letter writer... Niven has gathered an important collection... Nothing is wasted and he is always careful... The selection bears witness not only to modern poetry's principal issues from the point of view of a very acute and opinionated observer, but also takes us away from the arts bureaucrats and into that heroic world of small publishers and hard-pressed editors without which there would be no poetry in the first place.
This is a long-awaited first selected edition of the letters of Basil Bunting, one of the major modernist poets of the twentieth century. It includes a large portion of Bunting's correspondence (around 200 letters) to recipients including Ezra Pound, T. S. Eliot, Harriet Monroe, William Carlos Williams, Louis Zukofsky, Ted Hughes, George Oppen, Allen Ginsberg, Donald Davie, and Tom Pickard.
Following Bunting from his first encounters with major literary figures in London and Paris in the 1920s to his death in Northumberland in 1985, this selection showcases a narrative that is crucial to the history of modernism and modern poetry in English. Highlights include a long and detailed dialogue with Ezra Pound in the 1930s on political, economic, and literary subjects, a rich, ruminative exchange with the American poet Louis Zukoksfy lasting over four decades, and various accounts of the excitements and controversies of the Anglo-American poetry scene of the 60s and 70s.
Whether Bunting is writing from New York at the height of the Depression, Iran in the aftermath of World War II, or the north of England during preparation of his masterpiece Briggflatts (1966), his prose is unfailingly sharp, eloquent, entertaining, and caustic.
This edition contains detailed annotations of Bunting's letters, a critical introduction, glossary of names, and an editorial commentary.
Bunting was an extraordinary letter writer... Niven has gathered an important collection... Nothing is wasted and he is always careful... The selection bears witness not only to modern poetry's principal issues from the point of view of a very acute and opinionated observer, but also takes us away from the arts bureaucrats and into that heroic world of small publishers and hard-pressed editors without which there would be no poetry in the first place.
Table of Contents:
Introduction
Late Spring (1920-1938)
Midway (1939-1963)
Revival (1964-1985)
Glossary of Names
Late Spring (1920-1938)
Midway (1939-1963)
Revival (1964-1985)
Glossary of Names