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    Ibsen in the Decolonised South Asian Theatre

    Ibsen in the Decolonised South Asian Theatre by Huq, Sabiha; Mukherjee, Srideep;

    Series: Routledge Advances in Theatre & Performance Studies;

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    Short description:

    This book maps South Asian theatre productions that have contextualised Ibsen?s plays to underscore the emergent challenges of postcolonial nation formation.

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    Long description:

    This book maps South Asian theatre productions that have contextualised Ibsen?s plays to underscore the emergent challenges of postcolonial nation formation.


    The concerns addressed in this collection include politico-cultural engagements with human rights, economic and environmental issues, and globalisation, all of which have evolved through colonial times and thereafter. This book contemplates why and how these Ibsen texts were repeatedly adapted for the stage and consequently reflects upon the political intent of this appropriative journey of the foreign playwright.


    This book tracks the unmapped agency that South Asian theatre has acquired through aesthetic appropriation of Ibsen and thereby contributes to his global reception. This collection will be of great interest to students and scholars of theatre and performance studies.

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    Table of Contents:


    Introduction


    SABIHA HUQ AND SRIDEEP MUKHERJEE


    1 Postcolonial Theatre and Ibsen Productions in Pakistan: A Historical Overview


    ASGHAR NADEEM SYED


    2 Intercultural Assimilation of Contraries in Postcolonial South Asia: Fluctuating Movement of Ibsen?s Corpus


    KAMALUDDIN NILU


    3 Constructing a New Identity Space for Women in Post-Colony: Sambhu Mitra?s Production of A Doll?s House


    AHMED AHSANUZZAMAN


    4 Women?s Movement in Pakistan: Tehrik-e-Niswan?s A Doll?s House in Urdu


    ISHRAT LINDBLAD


    5 Nora and the Politics of Gender in the Postcolonial Performance Space in Sri Lanka


    KANCHUKA DHARMASIRI AND KATHIRESU RATHITHARAN


    6 Has the Indian ?Doll? Really Evolved?: A Doll?s House on Decolonised Indian Stage(s)


    SRIDEEP MUKHERJEE


    7 Middle-Class Liberal Values and the Bangladeshi National Imaginary: Ibsen?s Ghosts Reconfigured


    MANOSH CHOWDHURY


    8 By Means of Ibsen: Theatre Amidst Rising Fanaticism in Post-Partition India and Bangladesh


    SABIHA HUQ


    9 Kamaluddin Nilu?s Three ?Peers?: Relocating Henrik Ibsen?s Peer Gynt in South Asian Contemporaneity


    IMRAN KAMAL


    10 Unheard Voices and Refracted Essence: Bangla Adaptations of An Enemy of the People and The Pillars of Society


    TAPATI GUPTA


    11 A Doll?s House in Nepal: Rationalising the Appropriation of Putaliko Ghar


    MENUKA GURUNG


    12 Peer Ghani and Peechha Karti Parchhaiyan: Negotiating Adaptation and Appropriation


    ASTRI GHOSH


    Index

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    Ibsen in the Decolonised South Asian Theatre

    Ibsen in the Decolonised South Asian Theatre

    Huq, Sabiha; Mukherjee, Srideep; (ed.)

    21 757 HUF

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