Frank O'Hara's New York School and Mid-Century Mannerism
Perfectly Disgraceful
Series: Oxford Mid-Century Studies Series;
- Publisher's listprice GBP 80.00
-
40 488 Ft (38 560 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 20% (cc. 8 098 Ft off)
- Discounted price 32 390 Ft (30 848 Ft + 5% VAT)
40 488 Ft
Availability
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher OUP Oxford
- Date of Publication 7 March 2024
- ISBN 9780192866721
- Binding Hardback
- No. of pages384 pages
- Size 240x160x20 mm
- Weight 756 g
- Language English 585
Categories
Short description:
Frank O'Hara's New York School and Mid-Century Mannerism offers a ground-breaking account of the poet Frank O'Hara and the extraordinary cultural blossoming O'Hara catalysed, namely the mid-century experimental and multi-disciplinary arts scene, the New York School.
MoreLong description:
Frank O'Hara's New York School and Mid-Century Mannerism offers a ground-breaking account of the poet Frank O'Hara and the extraordinary cultural blossoming O'Hara catalysed, namely the mid-century experimental and multi-disciplinary arts scene, the New York School. Fresh accounts of canonical figures (Jackson Pollock, Willem de Kooning, George Balanchine, Fred Astaire) and original work on those too little discussed (Edwin Denby, Elaine de Kooning) resound with analysis of queer iconology from Michelangelo's David to James Dean.
Sam Ladkin argues that O'Hara and the New York School revive Mannerism. Turning away from interpretations of O'Hara's Transcendentalism, Romanticism, or pastoralism, 'mid-century Mannerism' helps explain O'Hara's self-conscious style, its play with sweet and grand grace, contortion of conventional measure, risks with affectation, conceits, nonchalance, and scrambling of high/low culture. Mannerism clarifies the sociability implicit in the formal innovations of the New York School.
The work also studies the kinship between art mediums by retooling rhetoric and recovering a perennial manneristic tendency beyond period style. Genealogies of grace, the figura serpentinata, sprezzatura, ornatus, and the marvellous exemplify qualities exhibited by O'Hara's New York School. Ladkin relates the essential role of dance in the New York School. O'Hara's reception has been tied to painting, predominantly Abstract Expressionism. He was also, however, a balletomane, a fan, for whom ballet was 'made up exclusively of qualities which other arts only aspire to in order to be truly modern.' Relaying ballet's Mannerist origins and aesthetics, and demonstrating its influence alongside Broadway and Hollywood musical-dance on art and poetry, completes the portrait of mid-century modernity.
Table of Contents:
Preface: The Paragone of the New York School
Introduction: New York School Mannerism
Sprezzatura: Diligent Negligence
Grace: 'Joyous irony in the tenderest pathos'
Agon: 'The energy of contradictory actions'
Figura Serpentinata: 'And now it is the serpent's turn'
Frank Speech: 'The living ought to be alive in every part'
Marvellous: 'Remember life's marvellous'
Conclusion: 'Style at its highest ebb is personality'
Frank O'Hara's New York School and Mid-Century Mannerism: Perfectly Disgraceful
Subcribe now and receive a favourable price.
Subscribe
40 488 HUF
