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  • Film Theory: Critical Concepts in Media and Cultural Studies

    Film Theory by Shepherdson, K. J.; Simpson, Philip; Utterson, Andrew;

    Critical Concepts in Media and Cultural Studies

    Series: Critical Concepts in Media and Cultural Studies;

      • GET 20% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 750.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        379 575 Ft (361 500 Ft + 5% VAT)
      • Discount 20% (cc. 75 915 Ft off)
      • Discounted price 303 660 Ft (289 200 Ft + 5% VAT)

    379 575 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 27 November 2003
    • Number of Volumes 4 pieces,

    • ISBN 9780415259712
    • Binding Hardback
    • No. of pages1552 pages
    • Size 234x156 mm
    • Weight 3030 g
    • Language English
    • 0

    Categories

    Short description:

    This collection identifies the critical and theoretical concepts which have been most significant in the study of film. It chronologically presents the most influential and important writing on these concepts.

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    Long description:

    This major new collection:



    • identifies the critical and theoretical concepts which have been most significant in the study of film

    • presents chronologically the most influential and important writing on these concepts

    • provides an historical and intellectual context for the material presented.

    New introductions by the editors guide the reader through the work, and make this an essential source of ideas and insights for students and researchers in the field of Film Studies.

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    Table of Contents:

    Volume I  Part 1: Essence and Specificity  Part 2: Language  Part 3: Technologies  Volume II  Part 4: Authorship  Part 5: Genre  Part 6: Narrative and Narration  Volume III  Part 7: Audiences and Spectatorship  Part 8: Personal Identities and Representation  Part 9: Cultural Identities, Colonialism and Postcolonialism  Volume IV  Part 10: Realism and the Real  Part 11: Modernism and Postmodernism  Part 12: Economics and Globalisation

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