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  • Earmarked for Collision: A Highly Biased Tour of Collage Animation

    Earmarked for Collision by Robinson, Chris;

    A Highly Biased Tour of Collage Animation

    Series: Focus Animation;

      • GET 20% OFF

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      • Publisher's listprice GBP 52.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        25 315 Ft (24 110 Ft + 5% VAT)
      • Discount 20% (cc. 5 063 Ft off)
      • Discounted price 20 252 Ft (19 288 Ft + 5% VAT)

    25 315 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Edition number 1
    • Publisher CRC Press
    • Date of Publication 25 May 2023

    • ISBN 9781032103129
    • Binding Hardback
    • No. of pages144 pages
    • Size 216x138 mm
    • Weight 258 g
    • Language English
    • 535

    Categories

    Short description:

    In Earmarked for Collision, award-winning writer, Chris Robinson (The Animation Pimp, Mad Eyed Misfits, Unsung Heroes of Animation), takes us on a tour of the history of collage animation, cataloguing the collage works of notable artists like Larry Jordan, Harry Smith, Stan Vanderbeek, Janie Geiser and more.

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    Long description:

    Collage art and film date back to the early 20th century (the earliest collages have roots in 12th-century Japan). It was rooted in the age of consumerism where artists addressed an array of political and social issues by creating a carefully crafted collision of pre-existing images and sounds to generate new meanings and commentaries on the surrounding world.



    Collage has also pushed the boundaries of animation, by incorporating other artistic forms (e.g., photography, live action, experimental cinema, literature, found sound) while exploring an array of social, cultural and political issues.



    In Earmarked for Collision, award-winning writer Chris Robinson (The Animation Pimp, Mad Eyed Misfits, Unsung Heroes of Animation) takes us on a tour of the history of collage animation, cataloguing the collage works of notable artists like Larry Jordan, Harry Smith, Stan Vanderbeek, Terry Gilliam, Janie Geiser, Martha Colburn, Lewis Klahr, Run Wrake, Lei Lei, Kelly Sears, Jodie Mack, and many, many others.

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    Table of Contents:

    Author Bio. 1 Breaking Stones with a Feather: Why Collage? 2 Umbrellas and Sewing Machines – A Brief Look at the History of Collage Art: Torn Formations. 3 Fist Fights, Alchemists, Magicians and Python: 1950s/1960s. 4 Hi-Fi Cadets Kidnapping a Jukebox of Frank Pearly Oysters: 1970/1980s. 5 Pending Elliptical Ghost Perverts: 1990s/2000s. 6 The Accidental Luxuriance of Recycled Utopian Erodium Pressure Pistols: 2010 and Beyond. 7 Are We All Just Collages?. Bibliography. Index.

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