Collaboration, Engagement, and Tradition in Contemporary and Electronic Music
NoiseFloor Perspectives
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19 732 Ft
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Product details:
- Edition number 1
- Publisher Focal Press
- Date of Publication 12 December 2024
- ISBN 9781032553740
- Binding Paperback
- No. of pages396 pages
- Size 234x156 mm
- Weight 730 g
- Language English
- Illustrations 57 Illustrations, black & white; 17 Halftones, black & white; 40 Line drawings, black & white; 28 Tables, black & white 670
Categories
Short description:
Collaboration, Engagement, and Tradition in Contemporary and Electronic Music offers insights into practices at the forefront of modern music making and is built on a rich collection of concerts and talks, representing over a decade of artistic insight and creative practice showcased at the annual NoiseFloor event.
MoreLong description:
Collaboration, Engagement, and Tradition in Contemporary and Electronic Music: NoiseFloor Perspectives illuminates practices at the forefront of modern music-making and is built on a rich collection of concerts and talks, representing over a decade of artistic insight and creative practice showcased at the annual NoiseFloor event.
Exploring the themes of collaboration, engagement, and tradition, this cutting-edge collection offers chapters on a range of pressing issues, including AI in music, audiovisual composition, environmental sound, and interactive sound systems. NoiseFloor?s aim is to showcase research and original works by international composers and performers and has attracted prolific artists in a wide range of related fields ? many of whom have contributed to this volume. This book provides a timely snapshot of new and emerging developments in the broad field of contemporary music-making.
Collaboration, Engagement, and Tradition in Contemporary and Electronic Music will be of interest to postgraduates and advanced undergraduates working in the areas of contemporary music, electronic music, and music technology. This book is also ideal for composers, artists, and researchers investigating theoretical concepts and compositional practices in contemporary music.
MoreTable of Contents:
PART 1 Collaboration 1 Electronics as a Member of the Ensemble; 2 Composing with Instruments and Live Electronics; 3 Forty Years of Live Electroacoustic Music: Reflections on a Continuing Partnership; 4 Music in Vision: Visual Music Instruments in Practice; 5 Autonomous Music Systems with Agency; PART 2 Engagement 6 Formuls: An Electronic Musical Instrument for Synthesis-Based Composition and Performance; 7 Overtone Music; 8 Spatial Sonorous Objects and Their Creative Use: A Framework for the Analysis of Spatialisation; 9 Sound as a Method: Creative Textual Practices as Critical Re-Writings; PART 3 Tradition 10 Scratching, Past and Future: Cataloguing the Scholarship on Turntablism and Controllerism, and an Introduction to Their Emerging Affiliated Practices and Communities; 11 Composing with Ambisonics: An Electroacoustic Practitioner?s Guide; 12 Audiovisualisation: Reviving the Spectre of Optical Sound and Structural/Materialist Film; 13 Events and Continuums: The Audiovisual Composition ?Estuaries 4?; 14 From Stochastic Music to Quantum Music; 15 Exploring the Musical Potential and Non-Hierarchical Signal-Noise Relationships in MP3 Compression Technologies Using Musical Composition; 16 Motion Capture for Musical Expression
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