British Romanticism and the Matter of Voice
Series: Cambridge Studies in Romanticism;
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Product details:
- Publisher Cambridge University Press
- Date of Publication 23 January 2025
- ISBN 9781009503419
- Binding Hardback
- No. of pages210 pages
- Size 235x159x18 mm
- Weight 460 g
- Language English 716
Categories
Short description:
A stimulating enquiry into the philosophical and political implications of the relationship between bodies and voices in the Romantic era.
MoreLong description:
Physiological, political, and poetic studies of the relationship between the human body and voice saw increased attention and took on new significance in British literature of the politically turbulent period between the 1770s and the 1820s. Focusing on Erasmus Darwin, John Thelwall, and Percy Bysshe Shelley, three writers whose works draw together the fields of science, politics, language, and literature, and who were subject to charges of political radicalism and materialist philosophy, Alice Rhodes draws attention to a developing theory of spoken and poetic utterance which, for its subscribers, suggested a fundamental, material, and reciprocal connection between the speaking body and the physical, social, and political worlds around it. By investigating the Romantic-era fascination with the mechanics and physiology of speech production, she explores how Darwin, Thelwall, and Shelley came to present the voice as a form of physical, autonomous, and effective political action.
MoreTable of Contents:
Introduction: mechanic art and elocutionary science; 1. Erasmus Darwin and the mechanics of speech; 2. John Thelwall and the physiology of speech; 3. Percy Bysshe Shelley and the poetry of speech; Coda: Mary Shelley's Frankenstein and the speaking body; Bibliography.
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