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Product details:
- Edition number 1
- Publisher Edinburgh University Press
- Date of Publication 10 December 2019
- Number of Volumes Print PDF
- ISBN 9781474455091
- Binding Paperback
- No. of pages248 pages
- Size 234x156 mm
- Weight 387 g
- Language English
- Illustrations 15 black and white illustrations Illustrations, black & white 61
Categories
Short description:
Examines the influence of Gothic B-movies on the cinematic traditions of the United States, Britain, Scandinavia, Spain, Turkey, Japan, Hong Kong and India, highlighting their transgressive, transnational and provocative nature.
MoreLong description:
Following the Second World War, low-budget B-movies that explored and exploited Gothic narratives and aesthetics became a significant cinematic expression of social and cultural anxieties. Influencing new trends in European, Asian and African filmmaking, these films carried on the tradition established by the Gothic novel, and yet they remain part of a largely neglected subject. B-Movie Gothic: International Perspectives examines the influence of Gothic B-movies on the cinematic traditions of the United States, Britain, Scandinavia, Spain, Turkey, Japan, Hong Kong and India, highlighting their transgressive, transnational and provocative nature. It shows how B-movie Gothic is a relentlessly creative form, filled with political tensions and moving from shocking conservatism to profound social critique.
MoreTable of Contents:
Table of ContentsAcknowledgementsIntroduction Justin D Edwards and Johan Höglund Section I: AmericaChapter One: Its, Blobs and Things: Gothic Beings Out of Time, Justin D Edwards Chapter Two: Re-Scripting Blaxploitation Horror: Ganja and Hess and the Gothic Mode, Maisha WesterChapter Three: Alucardas and Alucardos: Vampiric Obsessions, Gothic, and Mexican Cult Horror Cinema, Enrique Ajuria IbarraChapter Four: Gothic Forests and Mangroves: Ecological Disasters in Zombio and Mangue Negro, Daniel Serravalle de Sá?Section II: EuropeChapter Five: Mummies, Vampires, and Doppelgangers: Hammer?s B-Movies and Classic Gothic Fiction, John Edgar BrowningChapter Six: Fantaterror: Gothic Monsters in the Golden Age of Spanish B-Movie Horror, 1968-80, Xavier Aldana ReyesChapter Seven: Austro-Trash, Class, and the Urban Environment: The Politics of Das Ding aus der Mur and its Prequel, Michael FuchsChapter Eight: Wither the Present, Wither the Past: The Low Budget Gothic Horror of Stockholm Syndrome Films, Johan HöglundChapter Nine: Turkish B-movie Gothic: Making the Undead Turkish in Ölüler Konuşmaz Ki, Tu?çe B?çakç? Syed?Section III: Africa and AsiaChapter Ten: Filamu ya kutisha: Tanzanian Horror Films as B-Movie Gothic, Claudia BöhmeChapter Eleven: Psychopaths and Gothic Lolitas: Japanese B-Movie Gothic in Gen Takahashi?s Goth: Love and Death and Go Ohara?s Gothic & Lolita Psycho, Jimmy D. McRoyChapter Twelve: Hong Kong Gothic: Category III Films as Gothic Cinema, Katarzyna AncutaChapter Thirteen: B is for Bhayanak: Past, Present and Pulp in Bollywood Gothic, Tabish Khair?Contributors??
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B-Movie Gothic: International Perspectives
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