Anglo-Saxon Gestures and the Roman Stage
Series: Cambridge Studies in Anglo-Saxon England; 28;
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Product details:
- Publisher Cambridge University Press
- Date of Publication 2 December 1999
- ISBN 9780521661881
- Binding Hardback
- No. of pages246 pages
- Size 236x161x20 mm
- Weight 530 g
- Language English
- Illustrations 99 b/w illus. 0
Categories
Short description:
This 1999 book studies the pictorial language of gesture revealed in Anglo-Saxon art, and its debt to classical Rome.
MoreLong description:
This 1999 book is concerned with the pictorial language of gesture revealed in Anglo-Saxon art, and its debt to classical Rome. Reginald Dodwell was an eminent art historian and former Director of the Whitworth Art Gallery in Manchester. In this, his last book, he notes a striking similarity of both form and meaning between Anglo-Saxon gestures and those in illustrated manuscripts of the plays of Terence. He presents evidence for dating the archetype of the Terence manuscripts to the mid-third century, and argues persuasively that their gestures reflect actual stage conventions. He identifies a repertory of eighteen Terentian gestures whose meaning can be ascertained from the dramatic contexts in which they occur, and conducts a detailed examination of the use of the gestures in Anglo-Saxon manuscripts. The book, which is extensively illustrated, illuminates our understanding of the vigour of late Anglo-Saxon art and its ability to absorb and transpose continental influence.
"this book is of lasting importance for its analysis of the meaning of gestures in Old Comedy." CAA Reviews
Table of Contents:
List of plates; Foreword Timothy Graham; Acknowledgements; List of abbreviations; 1. The Vatican Terence and its model; 2. The classical miniatures and the stage; 3. Dramatic gestures in the miniatures; Appendix to chapter 3: the views of Jachmann; 4. Anglo-Saxon gestures; Bibliography; Index.
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