Outrage: The Arts and the Creation of Modernity

Outrage

The Arts and the Creation of Modernity
 
Edition number: 1
Publisher: Stanford University Press
Date of Publication:
 
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Product details:

ISBN13:9781503635357
ISBN10:150363535X
Binding:Hardback
No. of pages:210 pages
Size:229x152 mm
Weight:456 g
Language:English
628
Category:
Long description:

A cultural revolution in England, France, and the United States beginning during the time of the industrial and political revolutions helped usher in modernity. This cultural revolution worked alongside the better documented political and economic revolutions to usher in the modern era of continuous revolution. Focusing on the period between 1847 and 1937, the book examines in depth six of the cultural "battles" that were key parts of this revolution: the novels of the Brontë sisters, the paintings of the Impressionists, the poetry of Emily Dickinson, the Ballets Russes production of Le Sacre du printemps, James Joyce's Ulysses, and Zora Neale Hurston's Their Eyes Were Watching God. Using contemporaneous reviews in the press as well as other historical material, we can see that these now-canonical works provoked outrage at the time of their release because they addressed critical points of social upheaval and transformation in ways that engaged broad audiences with subversive messages. This framework allows us to understand and navigate the cultural debates that play such an important role in 21st century politics.



"Outrage will teach readers to think about modernity in new ways?as an era in which public disputes about art shifted our imaginations of society and our ability to critique the status quo. Giuffre's book is the newest and best addition to a tradition of academic scholarship on cultural conflict and the politics of the arts."?Jennifer Lena, Columbia University
Table of Contents:
1. Symbolic Warfare in the Field of Culture

2. "A Morbid Love of the Coarse, Not to Say the Brutal": The Novels of the Brontë Sisters

3. "The Summit of Vulgarity": The Paintings of the Impressionists

4. "An Eccentric, Dreamy, Half-Educated Recluse": The Poetry of Emily Dickinson

5. "Delirious Cocksuckers": Le Sacre du printemps and the Ballets Russes

6. "Damnable, Hellish Filth from the Gutter of a Human Mind": James Joyce's Ulysses

7. "No Theme, No Message, No Thought": Zora Neale Hurston's Their Eyes Were Watching God

8. A Permanent Revolution