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  • Kafka and Noise ? The Discovery of Cinematic Sound in Literary Modernism: The Discovery of Cinematic Sound in Literary Modernism

    Kafka and Noise ? The Discovery of Cinematic Sound in Literary Modernism by Gellen, Kata;

    The Discovery of Cinematic Sound in Literary Modernism

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      • Publisher's listprice GBP 29.99
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        15 177 Ft (14 455 Ft + 5% VAT)
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      • Discounted price 13 660 Ft (13 010 Ft + 5% VAT)

    15 177 Ft

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    Availability

    Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
    Not in stock at Prospero.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher MP?NWS Northwestern University Press
    • Date of Publication 30 December 2018
    • Number of Volumes Paperback

    • ISBN 9780810138933
    • Binding Paperback
    • No. of pages272 pages
    • Size 226x152x17 mm
    • Weight 375 g
    • Language English
    • Illustrations 17 black & white images
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    Short description:

    A series of disruptive, unnerving sounds haunts the fictional writings of Franz Kafka. In Kafka and Noise, Kata Gellen applies concepts and vocabulary from film theory to Kafka's works in order to account for these unsettling sounds. Rather than try to decode these noises, Gellen explores the complex role they play in Kafka's larger project.

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    Long description:

    A series of disruptive, unnerving sounds haunts the fictional writings of Franz Kafka. These include the painful squeak in Gregor Samsa&&&39;s voice, the indeterminate whistling of Josefine the singer, the relentless noise in "The Burrow," and telephonic disturbances in The Castle. In Kafka and Noise, Kata Gellen applies concepts and vocabulary from film theory to Kafka&&&39;s works in order to account for these unsettling sounds. Rather than try to decode these noises, Gellen explores the complex role they play in Kafka&&&39;s larger project.

    Kafka and Noise offers a method for pursuing intermedial research in the humanities&&&8212;namely, via the productive "misapplication" of theoretical tools, which exposes the contours, conditions, and expressive possibilities of the media in question. This book will be of interest to scholars of modernism, literature, cinema, and sound, as well as to anyone wishing to explore how artistic and technological media shape our experience of the world and the possibilities for representing it.

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