
European Cinema in the Twenty-First Century
EUR 39.23
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ISBN13: | 9783030334352 |
ISBN10: | 303033435X |
Binding: | Paperback |
No. of pages: | 343 pages |
Size: | 235x155 mm |
Weight: | 563 g |
Language: | English |
Illustrations: | 33 Illustrations, black & white |
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This book articulates a way of rethinking the study of European cinema that centres on students and their needs, in an accessible and comprehensive monograph introducing film students to the main discourses, directions and genres of twenty-first century European Cinema. Importantly, this collection is the first of its kind to apply a transversal approach to European cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning?s collection effectively addresses some of the most pressing questions in contemporary European Cinema, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international contexts which underpin them. This book makes a strong contribution to our understanding of recent European Cinema, while providing an invaluable resource for lecturers and students across a variety of film-centred modules.
This book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Importantly, this collection is the first of its kind to apply a transversal approach to European Cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning?s collection effectively addresses some of the most pressing questions in contemporary European film, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international frameworks which underpin them. Combining accessible original research with a thorough grounding in recent histories and contexts, each chapter includes key definitions, reflective group questions, and a summative case study. Overall, this book makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.
- Ingrid Lewis and Laura Canning.
- Pietari Kääpa.
- Adam Vaughan.
- Eleanor Andrews.
- Ingrid Lewis.
-Yugoslav Cinema
- Dino Murtić.
-First
-Century
- Ingrid Lewis and Irena Sever Globan.
- Doru Pop.
- Andrea Virginás.
- Huw Jones.
- Laura Canning and Maria O?Brien.
- Laura Rascaroli.
-Noir Cinema
- Bego?a Gutiérrez Martínez.
- Mariano Paz.
- Vicente Rodriguez Ortega and Rubén Romero Santos.
- Joshua Gulam.