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  • Music, Technology, Innovation: Industry and Educational Perspectives

    Music, Technology, Innovation by Johnson, Carol; King, Andrew;

    Industry and Educational Perspectives

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    A beszerzés időigényét az eddigi tapasztalatokra alapozva adjuk meg. Azért becsült, mert a terméket külföldről hozzuk be, így a kiadó kiszolgálásának pillanatnyi gyorsaságától is függ. A megadottnál gyorsabb és lassabb szállítás is elképzelhető, de mindent megteszünk, hogy Ön a lehető leghamarabb jusson hozzá a termékhez.

    A termék adatai:

    • Kiadás sorszáma 1
    • Kiadó Routledge
    • Megjelenés dátuma 2024. december 3.

    • ISBN 9780367485276
    • Kötéstípus Keménykötés
    • Terjedelem328 oldal
    • Méret 254x178 mm
    • Súly 453 g
    • Nyelv angol
    • Illusztrációk 43 Illustrations, black & white; 34 Halftones, black & white; 9 Line drawings, black & white; 11 Tables, black & white
    • 617

    Kategóriák

    Rövid leírás:

    Music, Technology, Innovation: Industry and Educational Perspectives draws upon cutting-edge practice in the use of technology from both a pedagogical and industry perspective.   

    Több

    Hosszú leírás:

    Music, Technology, Innovation: Industry and Educational Perspectives draws upon cutting-edge practice in the use of technology from both a pedagogical and industry perspective. Situated within the latest research, this edited volume explores technological innovation from a musical perspective, examines current trends within the industry, and carefully considers them from an educational perspective.


    Noted throughout history, music education is responsive to industry innovations. However, emerging technologies often begin with over-hyped promises before they move through various phases of development and are then repurposed for learning and teaching. Educators can adopt an innovation and develop a framework that is pedagogically sound and learner-centred. Based on these ideas, the authors together highlight industry innovations that have potential outcomes for engaging students in music learning within research-informed practices, build upon these ideas and identify proactive mechanisms for teaching music education, and work towards developing a framework for understanding these phenomena. The chapters address key topics including the ethics of technology, AI and music, online performance and teaching, gamification, big data, teaching audio production, acoustic ecology, and more. The examination of areas in contemporary innovation can further support the potential to empower teachers and students to understand the opportunities for teaching, sustainability, and growth in music education.

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    Tartalomjegyzék:

    Introduction by Carol Johnson and Andrew King


     


    Section 1: Technology, Performance and Context


    Industry Perspective by Chester Thompson


    Chapter 1: Synchronous Online Ensemble Performance by Stefano Delle Monache, Luca Comanducci, Giovanni Caspito, Augusto Sarti and Federico Avanzini


    Chapter 2: Performance in the Virtual Auditorium: Performance practice in Second Life by Kenneth McAlpine and James Cook


    Chapter 3: Enhanced Performance Training by George Waddell and Aaron Williamon


    Chapter 4: Developing an Online Music Orientation using the Framework for Teaching Music Online by Carol Johnson


     


    Section 2: Perspectives for Teaching


    Industry Perspective by Peter Lee and Tim Wilson


    Chapter 5: Instrumental Learning Online by Pamela D. Pike


    Chapter 6: Informed Teaching and Practice in Music Education: Exploring Music Technologies, Curriculum Design and Learning Environments in an Everchanging World by Brad Merrick


    Chapter 7: Music, Play, Games and Education by Tim Summers


    Chapter 8: Music Representation and Modelling: A Signal Processing Perspective by Augusto Sarti, Fabio Antonacci, and Alberto Bernadini


    Chapter 9: State and Practice of Music Education Software Design by Matthias Nowakowski and Aristotelis Hadjakos


    Chapter 10: Audio Education: Perspectives from Industry by Andrew King


    Chapter 11: Strategies for Teaching Audio Production Online by Jason Torrens and Paul Doornbusch


     


    Section 3: Current Issues


    Industry Perspective by Phil Harding and Andrew King


    Chapter 12:  Ethics by Nicolas Gold and Ross Purves


    Chapter 13: Acoustic Ecology: Exploring the Role of Sound and Technology in Understanding Climate Change by Leah Barclay


    Chapter 14: Artificial Intelligence and Music by Robert Laidlow


    Chapter 15: Exploring Links Between Music and Science-Informed Play by Evangelos Himonides, Ross Purves and Nicolas Gold


    Chapter 16: Future Directions: Artificial Intelligence, Immersive Learning & Online Learning by Carol Johnson & Andrew King

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